Episode Transcript
[00:00:00] Speaker A: Foreign.
[00:00:05] Speaker B: This is our musical reaction breakdown and commentary analysis of this song. Under fair use, we intend no copyright infringement and this is not a replacement for listening to the artist's music. The content made available on this podcast is for educational and informational purposes only, notwithstanding a copyright owner's rights under the Copyright Act. Section 107 of the Copyright act allows limited use of copyrighted material without requiring permission from the rights holders for purposes such as education, criticism, comment, news, reporting, teaching, scholarship and research. These so called fair uses are permitted even if the use of the work would otherwise be infringing. Now on to the Rock Roulette Podcast.
[00:01:14] Speaker A: Hey everybody. Welcome back to another episode of Rock Roulette Podcast. That's right, the crazy ass podcast that took over 1,400 albums. Put them in a list, put them in a wheel, and typically every day of the week we spin the wheel. She picks a record for us and we go through it track by track and we talk about the music, the lyrics, the production, the melody and the arrangement and we give it scores. 1 out of 10. Again, just a bunch of friends who love music want to do a podcast. First and foremost, we want to thank all our listeners, whoever you are, the hundreds that you are, we appreciate it so much and reach out to us. Tell us what you like, what you don't like. Spread the word to other people and say, hey, these guys are kind of cool. They're kind of stupid sometimes. They're not bad. Check them out, pass the word, let us know. Maybe there's an album you want us to put in the wheel that we may not have a single, we may not have in the new BET sections. Reach out to us. Tonight, we are a duo again, which has. It's. It's been a while since we've been a duo. Mark. Oh, hi, Mark.
[00:02:06] Speaker C: What's up guys?
[00:02:07] Speaker A: And I'm Sav. Ciao, Buenos Aires. So last week we wrapped up Leftoverture by Kansas, actually one of our shortest podcasts ever. Considering that the second side had a couple long songs, I think we all agree, obviously, Carry on Wayward Son. We all give tens to. As a rock fan, I'm sure there are people that can't stand that song. We loved it. We gave it tens. Production wise, we gave everything a good score. I mean, overall, I think it did really, really well. And I mean, I think other than that, even though I don't remember the titles because my memory is f debating the last song on the first side and the second side, which were very progressive, a lot of different tempos and things like that. And music I thought were really good. I think I gave them both nines. But Mark, I mean, overall you gave pretty high scores.
[00:02:45] Speaker C: Yeah, I thought it was a good album. I'm not a super progressive fan, but it was good. I liked it. I thought Carry on is a great song. Everything else was solid. Can understand if you went in for that one song, you may not be happy with the rest of that. As a musician, I think you have to be happy with that kind of stuff. Thought it was good.
[00:03:01] Speaker A: As a musician, I was very happy and jealous, I have to say. Some really good playing on. On all counts. We said the production was great. It was nice to get that it was some classic rock. I don't know that we. Last time we had classic rock. Let's get to the new bets and then we'll talk about. Because we do get to spin both wheels tonight, which is always incredibly exciting.
[00:03:18] Speaker D: In a world where new music is.
[00:03:22] Speaker A: Not easy to find.
[00:03:25] Speaker D: Welcome to new bet.
[00:03:33] Speaker A: No horn, cuz Frank is in here.
[00:03:35] Speaker C: So can you see the wheel?
[00:03:37] Speaker A: I see it.
[00:03:38] Speaker C: Here we go.
[00:03:51] Speaker A: Wow. Mr. Big right out of here. I do not know this.
[00:03:54] Speaker C: It's brand new.
[00:03:55] Speaker A: We were just talking about them, weren't we? Kind of.
[00:03:57] Speaker C: Maybe it's from the new album. I believe so.
[00:03:59] Speaker A: This is three originals, right? And the new drummer.
[00:04:02] Speaker C: Yeah, I generally like them. They're pretty good.
[00:04:04] Speaker A: Yeah, they. They've done a lot of. A lot of good things. I mean, when you think about it, right? It's pretty much a virtuoso band, musician wise.
[00:04:09] Speaker C: Eric Martin's a good singer.
[00:04:10] Speaker A: Yes, Eric Martin. Yep. Good voice.
[00:04:12] Speaker C: Excited to hear this. I haven't heard something from them in a while. This is in July 2024, so it's fairly new. Less than a year. So here we go. This is right out of here by.
[00:04:20] Speaker E: M2 lips in the Eye.
[00:04:48] Speaker F: All I needed to confront you.
[00:04:52] Speaker C: Two.
[00:04:53] Speaker F: Truths tell a lie I'm always falling for your boo do and now I'm sitting on the fence.
[00:05:04] Speaker E: My home address.
[00:05:06] Speaker F: Is a pretty mess I can smell the fire still burning the old lesson I keep relearning I'm in a drive I gotta do my leg off like a ride on a sinking chair I can't freak anymore when the coast is.
[00:05:26] Speaker E: Clear.
[00:05:28] Speaker F: I better talk on and get myself fat outta here.
Lip locked at the hip Only lasted for a minute Asleep at the switch you never see it when you're in dance Another curtain comes down oh yeah. On every wise man and every clown I can taste the bitter lemon On a harness Flies up from heaven I'm in a trap I gotta chew my leg off Like a ride on a sinking chair I can't freak anymore when the coast is clear I better head out the dog count and get myself right outta here Looks in the eye All I needed to confront you.
[00:07:16] Speaker A: Two.
[00:07:17] Speaker F: Truths tell a lie I'm always falling for you Move down Bad juju and now I'm sitting on the fence oh.
[00:07:27] Speaker E: Yeah My home I guess is a.
[00:07:31] Speaker F: Pretty mess I can smell the fire still burning the old lesson I keep learning I'm really dry like I to my leg off Like a ride on a sinking chair I can't freak anymore when the coast is clear.
[00:07:55] Speaker E: I'm the fence I can ride on a wheel.
[00:08:03] Speaker F: Yeah I better head out the dog on and get my stuff Right out of here.
[00:08:14] Speaker E: Come out get myself out.
[00:08:21] Speaker F: Of here Can I stop? Right out of here.
[00:08:50] Speaker E: I'm a fool for you.
[00:08:54] Speaker A: Who do who it was it was okay. I mean, I don't know what you think.
[00:09:00] Speaker C: Paul Gilbert still has a lot of that fast legato playing in spurts. He doesn't really overdo it as much as he did before. He's more into melody now. If you're watching his guitar things like on YouTube and stuff, he's all into playing with the slide now. So that's what you hear there. And so it's a little more melodic than I think the earlier stuff was, which was more virtuosic. Good word, virtuosic.
[00:09:19] Speaker A: I like the solo.
[00:09:21] Speaker C: Not a fan of anything else.
[00:09:22] Speaker A: It was okay. Production was okay. It was a little weak, I thought. Personally, I don't know. The melody was kind of. It wasn't crazy about. It wasn't also necessarily crazy about the way he sang it. I didn't think it was terrible. After all that criticism, I don't know that I'd go back to it. It was okay. It was all right.
[00:09:38] Speaker C: What'd you think about the drums?
[00:09:39] Speaker A: They were fine. I think they were kind of weak. Maybe they didn't need more.
[00:09:42] Speaker C: Well, it's hard to replace the other guy, though.
[00:09:44] Speaker A: Yeah, well, I mean, listen, I'm not even comparing him to Pat Torpay. It wasn't what? The drumming was bad. I mean, the groove was there. I just think the song overall was okay.
[00:09:54] Speaker C: What'd you think of the sound of the drums?
[00:09:56] Speaker A: They weren't as bad. I would say it's kind of. Still has that production, maybe because of the way they were mixed in. It blended maybe a little bit better, if that makes any Sense. I don't think they necessarily had a unique sound to them, but they kind of blended it better.
[00:10:10] Speaker C: I thought they were okay. I thought. I don't think there's samples on that, but they could be. But it wasn't as blatant. I don't think it's some of the newer stuff, but it was okay. It's just okay. I know this album is on the list. Maybe one day this thing will come up. We'll get to listen to the whole thing.
[00:10:22] Speaker A: It reminded me of somebody. I can't think of who, though. And listen, I haven't heard every single Mr. Big song. The style kind of reminded me of somebody. Couldn't really put my finger on it. Even the way he was singing. I don't want to say Aerosmith, because once I hear kind of like the voodoo and the hoodoo stuff, I think of Steven Tyler. I don't think it was them. Maybe on a.
[00:10:42] Speaker C: On another listen, at least, they're actually putting new music out. So that's good. I think this is the last album, though, unfortunately.
[00:10:48] Speaker A: I think so, too. That's what I've heard, but who knows?
[00:10:50] Speaker C: Let's rubber stamp this. Here we go.
[00:10:52] Speaker D: In a world where new music is.
[00:10:56] Speaker A: Not easy to find.
[00:10:59] Speaker D: Welcome to new Bets.
[00:11:07] Speaker A: Okay, so we got another one in the books for the Mini Wheel. And now we get to spin the Mama Wheel, which is always incredibly fun. I was thinking. I think it depended on who was going to be on tonight. Because we kind of expected maybe some extra people on tonight. So I was thinking maybe something heavy or something really cheesy.
We had Classic. Right. The week before that, we had Peter Chris, who had One Foot in the Classic. And then we had Ghost, which is. Was an older record, but still of the modern era. I know you're still looking for something 90s, I think. Right.
[00:11:37] Speaker C: I would really like a real 90s grunge album. Something big. Alice in Chains, Soundgarden, Nirvana. Something big. But I know that's not going to happen.
[00:11:47] Speaker A: We had Soundgarden. We had Pearl Jam. We haven't had Alice in Chains. No, those are the big three. So they're the ones that we haven't had. But even Pearl Jam, they have Vitalogy and Soundgarden. We had what down on the Upside or Up on the Downside, whatever that was called.
[00:12:01] Speaker C: Yeah, let's do this. Because I'm not going to try to figure out what this thing's going to do. It does whatever it wants.
[00:12:05] Speaker A: Exactly.
[00:12:06] Speaker C: It's just one of those things that if you say something it's going to do whatever hell it wants. Let's just spin it and get lucky. All right, here we go.
[00:12:33] Speaker A: Wow. See, this is proof that this is random. We have one of the biggest rock bands of all time, Led Zeppelin. Do we have 1? No. 2, 3, 4? Houses of the Holy. No. Physical Graffiti? Nope. What do we have? Presents. Which is there next to last album? Right, I think.
[00:12:52] Speaker C: Or is it the last 76? So no, I don't know when the last album was.
[00:12:56] Speaker A: Yeah, this is either. It was either this one or in through the outdoor. I can't remember now. I'm pretty sure this could be the last one.
[00:13:02] Speaker C: This is the seventh studio album released in 1976. It was commercially successful. It reached the top of both the British and American album charts, triple platinum and is the lowest selling album by the band. But it has received more positive reviews in years after its release.
Cool. I know lots of Led Zeppelin stuff. I don't know if I know a lot on here. I know I know tracks for on here, but I haven't listened to them in a while.
[00:13:26] Speaker A: I had this on cassette, which I believe I stole from my cousin. He actually had in through the outdoor on a track.
[00:13:34] Speaker C: Remember that there's only four songs on each side.
[00:13:37] Speaker A: Well, there's a couple big ones on here for sure. Just looking at the titles. Yeah, a couple big ones. We never had Zeppelin. Right. First Zeppelin.
[00:13:44] Speaker C: And of course, like you said, the first Zeppelin has to be this one.
[00:13:47] Speaker A: I did kind of mention that before.
[00:13:49] Speaker C: Yeah, that's what I'm saying. But you didn't mention. I'm saying. But this is how you know it's random.
[00:13:52] Speaker A: Yeah. So this is their next to last. In through the outdoor was the last one.
[00:13:56] Speaker C: Yeah, that's what I figured. Are you ready to do this?
[00:13:58] Speaker A: Yeah, I'm ready.
[00:13:59] Speaker C: This is Elise last stand.
[00:14:39] Speaker E: It was a little moment when they told us we should go.
[00:14:46] Speaker A: And as.
[00:14:46] Speaker E: I turned to you you smiled at me after they say no all the fun to have the dreams we've always had all the songs to sing we at last drinking all the glancing here the doors who claim they know know the streets seeming his devil in this hole Want to sail away Sandy land another days want to touch the dream items I've never seen.
[00:16:07] Speaker A: You know this song though, right?
[00:16:09] Speaker C: I've heard the song before. Yeah. I didn't realize. It's ten and a half minutes.
[00:16:12] Speaker A: Oh my God. Is it really?
Hot damn.
[00:16:15] Speaker C: That's why there's only four songs on one side. It's ridiculously long. But what do you think?
[00:16:19] Speaker A: So far, I've always liked this song. I don't know that I've ever realized it was 10 minutes. And because I didn't realize 10 minutes when I heard it all, I'm assuming I've heard it all. I love the Gallop. One of my favorite metal bands, if not my favorite metal band. Iron Maiden is famous for the Gallop. Obviously, musician wise, they're strong. Production's a little more laid back than I remember it. That is the only thing I was like. Oh. I felt like it was a louder song. I actually jacked up the volume on. On the computer.
[00:16:46] Speaker C: Yeah. It's very subdued.
[00:16:48] Speaker A: Yeah. Reserved. Right.
[00:16:49] Speaker C: This is the remaster, though. I would assume it would be better, not worse, right? That would be the assumption.
[00:16:54] Speaker A: Again, the greatest example is I love it Loud by Kiss. Listen to it on Creatures of the Nights and listen to it on Mashes thrashes. It doesn't sound bad, it just sounds subdued.
[00:17:05] Speaker C: Yeah. I expected to be a little more powerful, a little more oomph to it, but it doesn't have that. But it's good.
[00:17:11] Speaker A: Good riff, good melody.
[00:17:12] Speaker C: Zeppelin, it should be good. Generally their stuff is good.
[00:17:16] Speaker A: I don't think musically we're gonna have a lot to complain about on this record.
[00:17:19] Speaker C: No. And vocal wise, he's really good. He still can sing here. This is the height of their powers pretty much. Right. This is the top of the heap. I guess at this point, even though this is the least selling album 76, they had to be one of the biggest bands in the world, right?
[00:17:32] Speaker A: I would think they still were. I would have to think.
[00:17:34] Speaker C: Well, let me read you some lyrics. It was an April morning when they told us we should go As I turned to you, you smiled at me how could we say no? With all the fun to have to live the dreams we always had oh, the songs to sing when we're at last return again. And then verse two. Sending off a glancing kiss to those who claim they know Below the streets that steam and hiss the devils in his hole oh, to sail away to sandy lands and other days oh touch the dream hides inside and never seen. So suppose this is about his travels through Greece and Morocco and Spain.
[00:18:11] Speaker A: Lyrically reminds me a little bit of Immigrant song. That whole traveling and that is kind of what I picked up about it. I didn't think it was just about personal travel. I think he makes it a little bit more exciting and adventurous. It sounds.
[00:18:23] Speaker C: It's a pretty cool riff after the end of the second verse. I don't think there's any real chorus in here, if I remember correctly. Looks like it's just a lot of verses. Well, no, there's a chorus toward the end, I think, and that's about it. I don't think they ever say the name of the song. Song.
[00:18:35] Speaker A: Which is cool.
[00:18:36] Speaker C: Yeah, it's always cool when they do that.
[00:18:38] Speaker A: I like that little bum, bum kind of thing.
[00:18:41] Speaker C: Yeah. Well, we better get going because we're only two minutes and 13. We have another eight minutes to go.
[00:18:47] Speaker A: It's gonna be our last stand. One song and. Hey, everybody, we'll catch you next week.
[00:18:53] Speaker C: Rocco Le Pod's last stand.
[00:18:54] Speaker A: Yeah.
[00:18:55] Speaker C: All right, here we go.
[00:19:06] Speaker E: To the sun, the south and north lies the birds to flow Shackles of commitment fell the pieces on the ground Want to ride the wind Dread the air above the dim Want to laugh aloud Yesterday was a brown See the man who's pointing at the giants of ours Guides from curving path turns up into stone if one bell should ring Celebration for a game to find some more it should be let's round the hip.
[00:20:25] Speaker A: I like how it hooks up there. Got a little bit heavier there right before. This solo part sounds like it's coming in. I mean, just a great groove. I love the drums on it. I love the riff. I like his melody. Well, I may ask you this after the solo, and I may turn a few heads when I say this. I'm not always crazy about his solos. I think rhythm wise and acoustic wise, he's a great player. But solo wise, I'm always.
Maybe it'll change when I hear this. What do you think of him overall as a guitar solo player?
[00:20:53] Speaker C: His solos, I mean, realistically, he has some of the most iconic solos ever.
I don't always enjoy some of the sloppiness that's in part of that part of his style. He has gigantic solos and tons of songs he's done. He's great riff writer. He can compose great solos live. He was always a little sketchy.
[00:21:13] Speaker A: I think they all were. This is probably another thing where people, whoever listens might say, what the hell are you talking about? I didn't think they were the greatest of live bands. Stuff that I've seen. I don't think Plant was ever strong live as he was in the studio. This is taken from a handful of videos. I'm sure they're. They're probably some really good things, especially probably toward the early part of their career. I was always like, this doesn't take away from, you know, my love of the band. I mean, I think they're amazing, without a doubt. And I don't think they're just a studio creation either. You know what I mean? I just feel like when they kind of got to that. And honestly, who knows too, what was going through the systems right when they were playing.
[00:21:51] Speaker C: I'm sure there's a lot of that going on.
I mean, I like the riff. I like. There's the gallop going on. Then is that the strummed chords that are happening? So it's composed really well.
[00:22:01] Speaker A: Yeah.
[00:22:01] Speaker C: The bass is great. The drums, obviously, are great. So there's not gonna be much to complain about. Is this one of their most popular things? I mean, for the general public, probably not.
[00:22:11] Speaker A: I would say this is probably B tier. Yeah, they have a lot of A tier, obviously, huh? But I would say this is. I would put this on B. I mean, I've. I've heard it a lot of times on classic rock radio. I mean, I knew it into. Into it, even though I don't know the other. All the other songs. I know a couple by name and who knows, maybe I'll know more than I remember. I mean, obviously, if Zeppelin fan, you're going to know it, but I think it's. It may be recognizable even to people who may or may not know all their catalog and say, oh, yeah, I've heard that song before. They. They, you know, I've heard that on. On the radio.
[00:22:42] Speaker C: A level has to be Stay Way to Heaven, Immigrant Song, Rock and roll, A handful, a bunch of other. I just. I'm not going to just start naming my example.
[00:22:52] Speaker A: That's what I'm saying. Their. A tier is pretty. Pretty big.
[00:22:56] Speaker C: Yeah. Here's verse three. Into the sun, the south, the north at last the birds are flown Shackles of commitments Fell in pieces on the ground oh, to ride the wind to tread the air above the din oh, to laugh aloud Dancing as we fought the crowd. Verse 4. To seek the man whose pointing hand the giant step unfolds to guide us from the curving path that turns our feet to stone if one bell should ring in celebration for a king so fast the heart should beat as proud as the head with heavy feet and then does the ooh thing. He likes doing that. And he always sounds good. Doing the ooh thing.
[00:23:30] Speaker A: Yeah. Things he's very good at that.
[00:23:33] Speaker C: I have nothing to complain about here. John Paul Jones is a great bass player. John Bonham's a great drummer. Jimmy Page is a great guitar player. Robert Plant's a great singer.
[00:23:41] Speaker A: He's another one, right? I mean, Jimmy Page it's like John Bonham on the lips of guitar players. Jimmy Page is on a lot of lips when it comes to people asking, well, who influences, especially back then, Right. Even his contemporaries. I know Ace Frehley cited him as one of his major influences. And Kiss came out, what, in 73, 74. And I know Zeppelin, I think, was 69 or 70 the first one. So, I mean, for what it's worth, they're contemporaries. Even what's his name, Right. Paul Stanley, too, said, I think, yeah.
[00:24:11] Speaker C: Zeppelin was a big thing for Kiss. What are you gonna say?
[00:24:14] Speaker A: I know.
[00:24:14] Speaker C: Honestly, is every song they do gonna be great? Because not every song from any band is great. I mean, you'd be very hard pressed to find that.
[00:24:22] Speaker A: Exactly.
[00:24:22] Speaker C: This song is like 10 minutes, though. I think we got to continue. We're going to keep yapping and. Yeah, we got to go through this.
[00:24:27] Speaker A: Yeah, exactly.
[00:24:28] Speaker C: We let it run for a little bit. Here we go. Solo time.
[00:26:13] Speaker A: Yep. And just like that, Jimmy Page tells me to shut the up because I really like that song. Solo.
I Could Be Wrong Had a little bit of a David Gilmore ish quality to it. I felt there was. There was a lot of feel to it. And again, I'm not saying he doesn't play with feel. This song could have had a completely different kind of solo, more of a shreddy kind of thing, but he didn't. He played very melodically and with a lot of feel, and I thought it was. It was great. And then that little. You know, the little thing was cool. Cool. And I. I think the production has gotten a little bit better. It sounds a little bit better as it's gotten a bit heavier. I think the end of the verse was heavier and the. The accents and everything with the. The instruments following themselves sounded really good. I thought it was cool. What'd you think?
[00:26:58] Speaker C: No, I thought it was good. It's not as composed as some of his better stuff, but. You know what I heard in there that I didn't really think about? Splash.
Did you hear the way that. Just some of the lines. And I had to go look really quick.
[00:27:09] Speaker D: Quick.
[00:27:09] Speaker C: And obviously Slash is influenced by Jimmy Page. It's just. I was listening, going, oh, so that's where he got that kind of stuff from. That makes a lot of sense now. But, yeah, it was good. I thought it was good. I liked.
[00:27:20] Speaker A: Yeah, I liked it.
[00:27:21] Speaker C: I liked all the backing stuff. I liked the.
Yeah, I thought it was good.
[00:27:26] Speaker A: It was.
[00:27:27] Speaker C: They do a little bit of harmony guitar, which I don't think we hear. That much in Zeppelin. I could be wrong, but I don't remember hearing a lot of harmony guitar.
[00:27:33] Speaker A: I guess we have to go back and kind of listen to it. I mean, you can't remember everything. We'll say no for now until we go back and say, son of a bitch. Wait a second.
[00:27:42] Speaker C: There's more than I thought.
[00:27:43] Speaker A: Yeah. Just like me saying, I'm not a crazy guy. I don't really like his solo, so it's like, damn, I like that solo.
[00:27:49] Speaker C: Well, listen, I'm sure you've heard things that you didn't like as much, but this one just happens to be good.
[00:27:54] Speaker A: Mm.
[00:27:54] Speaker C: I mean, you're gonna be other things. You can be like, eh, not so much. It felt like it was very off the cuff. It didn't feel like it was super composed and written out. I'm sure there were parts of it that were. But I heard a couple of mistakes and stuff that I'm surprised he didn't fix. But you know what? What if the whole take is good, then you like the feel of it, you're going to leave even the little noise or something that you didn't really like.
[00:28:15] Speaker A: Who produced this? I don't think we said, I would.
[00:28:17] Speaker C: Rather listen to this. And lots of that's on now, so I'm very happy we got this.
[00:28:21] Speaker A: Jimmy Page produced it.
[00:28:22] Speaker C: Yeah, but he's been doing that forever, though. He's done almost everything. He's good at that. I mean, when you think of rifts in rock guitar, you think of Tony Iommi. You think of him. To me now, do I think he's as good of a guitar player as Jimi Hendrix? No, obviously, I don't think that, but he's a great guitar player, and he writes great riffs and he writes great songs, and he knows how to arrange things and produce things. He's a multifaceted musician. He does lots of different things. Yes. Are there guitar players that are better than him? Jeff Beck, Jimi Hendrix, Eric Clapton? Yes, of course. But he's not bad by any stretch of the imagination. He's good. And probably arguably the biggest rock band of all time. Hard rock band. And the biggest band of all time is probably Beatles. As far as a hard rock band is, they're the blueprint of lots of other bands.
[00:29:11] Speaker A: They are definitely one of the. I mean, hands down, one of the blueprints. And very diverse. A lot of different styles incorporated and someone may hear certain songs and.
[00:29:20] Speaker C: Yeah.
[00:29:20] Speaker A: I mean, okay, Stay with a Heaven obviously has a lot of dynamics to it. They've had purely acoustic songs. They've mixed in different instruments, different styles. They brought in different types of things into their music. So very creative in that sense. Sense. They're not a boring band by any stretch. It's not only the rock stuff. There's a lot of different things going on with them. Maybe not all theirs, but that's for another somebody you can. People can check the podcast on their own.
[00:29:46] Speaker C: And there are some bands who tend to copy certain eras of this band and not really do the whole thing of what this band does. Because this band, like you said, does lots of different things. Oh, we're gonna have a record like this. Oh, then we're gonna write a record that's all acoustic just because we can. And it's gonna be good too.
[00:30:01] Speaker A: He's a ridiculous acoustic player, man.
[00:30:03] Speaker C: Yeah, he's very good. Let' go. We have another. We still have another five minutes to go.
[00:30:07] Speaker A: Nice.
[00:30:25] Speaker E: Oh, the sweeter of brain Soothe the soul Calms the flow Way all beer in me Sleeping now to rise again Wondering, wondering Earth the mighty arms of B All the heavens from the earth for the mighty arms of B All the heavens from the earth from the earth.
[00:33:50] Speaker A: I like when he's doing the.
With the echo and kind of backing himself. But that, ooh, whatever thing he was doing, I think it would have been cool once or twice when that's the only thing that's going on. I said to myself, okay, Robert, that was enough. I think that went on way too many times for me. That probably added a good extra minute, minute and a half to the song that in my opinion didn't need to be there there because I was more interested in the music. I'd rather they would have done something musically which it seems like kind of going back into. What do you think?
[00:34:21] Speaker C: I have to agree. I mean, some of the stuff is dragging on a ten bit. The chorus, which I assume is the chorus, and all the guitar playing over the vocals in the chorus. A little bit too loud maybe. I don't know. That part threw me off a little bit. Not that it was bad, it's just I think the mix is a little weird. So I'm hearing all this guitar on the left and the right and then he's singing with. Supposedly with the choruses, which I'm going to read. Does this song need to be 10 minutes long? Probably not.
But you know What? Ballsy. For 1976 to do a 10 minute song. The first song on the brand new album is 10 minutes long. It's freaking crazy.
[00:34:54] Speaker A: Yeah.
[00:34:55] Speaker C: And that's in a time of songs have to be three and a half minutes. This is never getting released as a single. I'd have to look. I don't think it was. If it was, I'd be very surprised. Where would you cut this thing? I don't even know what you would do.
[00:35:05] Speaker A: All these things I would cut. I guess a different editor than me. Who knows? I don't know if there was a single version of this.
[00:35:10] Speaker C: I'd have to look. I don't know. Well, I'm going to read some words. A lot of words. Verse 5 is days went by when you and I bathe Internal summers glow as far away and distant Our mutual child did grow oh, the sweet refrain soothes the soul and calms the pain oh, Albion remains sleeping now to rise again and then supposedly this is the chorus. Wandering and wandering were placed to rest the search the mighty arms of Atlas hold the heavens from the earth for the mighty arms of Atlas hold the heavens from the Earth Earth from the earth oh, oh, O's and a bunch of O's and then I know the way, know the way, know the way, know the way More O's more know the ways than your favorite part. The bridges with the O's and the ahs and the O's and the ahs and lots of ahs and ahs and O's. I mean, it's ambitious. It has little bits of other things that Zeppelin did. But this is like you took them all together and made a really big, gigantic song out of it.
[00:36:05] Speaker A: Doesn't feel as long as it is. And I don't know if it's because we're cutting it up because again, I do think the music is interesting and the playing is. Didn't really, really lose me until that part where he started doing all the ooh and A. And I said to myself, I wish they had cut a few of those bars.
[00:36:19] Speaker C: John Bonham's pocket is ridiculously good.
[00:36:22] Speaker A: Bass is really good in this song too.
[00:36:24] Speaker C: Yeah, you don't talk about him as much, but yeah, he's crazy too. He's really good. We have a minute left, so let's finish it.
[00:36:30] Speaker A: Nice.
[00:36:30] Speaker C: Here we go.
[00:37:03] Speaker E: Ra.
[00:37:55] Speaker A: Really like that riff at the end. I wish they had incorporated that into the song. Maybe instead of all those kind of done maybe something with that as some. As a musical piece. Pretty good overall.
[00:38:07] Speaker C: I like that riff a lot. I was like, oh, that's really good riff. So it's like he comes up with all this stuff and now he has that riff and he just throws it at the end. There's, like, this middle piece. Well, everyone else be like, dude, we're gonna write a song on that riff.
[00:38:19] Speaker A: Yeah, we need a whole song around that, man.
[00:38:21] Speaker C: Yeah, it's long, boy. I mean, it doesn't feel like 10 minutes because we break it up, but if you sat there and listened to that. That's a long song.
[00:38:28] Speaker A: Any more words to read or. No.
[00:38:29] Speaker C: One thing. Oh, the mighty arms of Atlas hold the heavens from the earth. That's it. And then O's and Oz and Oz and Oz and Oz and O's. All right, why don't you go first? I'm curious to see what you give.
[00:38:39] Speaker A: This lyrics are pretty good. I'll say an eight on the lyrics. I'll say an eight on the music. I'll say a seven on the production arrangement is a little hard for me. I'll say a seven on the melody. I'll say a seven. I. I don't know that I can give it a six, but I do feel that it was long for the wrong reasons. Who am I to criticize Zeppelin if they had taken the.
That's the thing that really got me. I don't think the rest of it. There was really anything wrong with the rest of it. So if they cut out two minutes of him doing that, I think overall I probably would have given it better scores. Not that it's bad what I've given it in it. What do you think?
[00:39:18] Speaker C: Yeah, I'm gonna do pretty much the same thing you did, except I will ding it on the arrangement to six. Just because. Yeah, I don't hate the ooze. I just think there were too many ooze. I don't mind that it's 10 minutes. I mean, they're Led Zeppelin. You do whatever the. They want to do. But you're right, if you cut some of that out, maybe cut a little bit of the fat out. But again, they're doing whatever they want. They have the ability to do whatever they want. This is what they want the song to sound like. Who am I to say that they're wrong? But if I have to give any kind of a ding anywhere, that would be for me, just that cut off would have been a little bit better. I like the solo. I liked all the playing. Obviously, John Bonham is great. I mean, everybody's great. There's no one doing anything here. That's not great. That was a long one. Boy. Ten and a half minutes. Geez, it takes balls to make a song that big for your first song on the new record.
This is a short 6 minutes and 25 seconds.
[00:40:03] Speaker A: Oh, good.
[00:40:04] Speaker C: And this is for your life.
[00:40:12] Speaker E: SA heaven emotion.
And she said, don't you want. Don't you want to cook it? Cook, Cook with goodness.
See Damn.
Anything you going to know the next ain't right over.
[00:42:15] Speaker A: So that is straight up Zeppelin groove right there.
[00:42:18] Speaker C: Oh, yeah.
[00:42:19] Speaker A: I can't think of this song.
Forget what song reminds me of stuff. To me, it's a weaker version of that other song. There's not a lot of. I don't feel there's a lot of oomph in this one. Supposedly Robert Plant sang most of this album from a wheelchair because of a bad car accident he had. Again, though, just the production's a little. I don't know. I'm not feeling this one too much, honestly. I'm finding it a little boring to say.
[00:42:44] Speaker C: I like the groove. The groove, I think, is good. It is similar to another song's groove.
[00:42:48] Speaker A: Yeah. Which I can't think of. I have it here, but I can't think of it. But I feel that this is a. A weak cover of that song. To me, it sounds like.
[00:42:57] Speaker C: I can see that.
[00:42:58] Speaker A: Yeah.
[00:42:58] Speaker C: I mean, it's not as punchy as it could be. I don't think supposedly this is about drugs. It's a. Criticizing drugs. Most notably cocaine, obviously, because you heard the cocaine in the lyrics. So let me read this. This is. I mean, a lot of the arrangements here are a little strange. Like, there's no real chorus here yet. And there's just like verses and breaks and so maybe they're trying to do something different. Intro is well, well O O, O O's you got more O's. If you wanted some more O's, you got them. He loves his O's. Verse 1. You said I was the only with my lemon in your hand.
[00:43:33] Speaker A: You know, I heard you had balls big enough to come in a dump truck.
[00:43:37] Speaker C: Uh oh, oh. Exhibition is your habit Emotion Secondhand uh oh, oh. Had to pull away to save me. Maybe the next time around. Oh. And she said, don't you want it? Don't you want cocaine? Cocaine, cocaine hadn't planned to could not stand to try it Fry it, yeah. And then verse two is. Oh, oh. Heard a cry for mercy in the city of the damned oh, baby damned in the pitch you go no lower the next stops underground oh, hello underground. Your wine and roses ain't quite over because fate deals a losing hand and I said didn't mean to, did not mean to foul you didn't plan it. You overran it. I mean, the words. Not bad.
[00:44:22] Speaker A: No, they're not bad.
[00:44:22] Speaker C: You got a lot of O's in here, though, so, you know.
[00:44:24] Speaker A: Oh, they don't stick out as much as the other ones because they're in the middle of the words. And like you said, he's pretty good at using that in between. He definitely does a lot of that.
[00:44:33] Speaker C: Yeah. I'm sure people were complaining about his. He sounds too sexy.
You know what I mean? Because his voice is. It is very sultry.
So I'm sure that a lot of people back in the day were like, oh, we can't play this. This is just too much. But I like the groove. I think the groove is good. Like. Like you said, it's reminiscent of what they do as a groove. Whether that's a John Bonham thing or a bottom page thing or all everybody thing, I'm not sure. But we got some more here. So we're only two minutes into the six and quarter minute song songs. All right, here we go. Let's continue.
[00:45:28] Speaker E: Sa.
You got the flow right.
When you forget my.
It.
[00:47:22] Speaker A: I like that part. The two parts that they go into.
And even that those parts are cool. And I hate saying this.
[00:47:32] Speaker C: I just.
[00:47:33] Speaker A: I feel like they go on for too long.
[00:47:36] Speaker C: I can understand that. Hard to say, right? Sled Zeppelin, you're like, oh, yeah, I gotta say some shit about this that I really don't want to say again. You gotta be honest. It's not. You're not feeling. You're not feeling it. I like that part. The da da again. He comes out with great parts where everybody else would be main things in other people's songs. And in his song, it's just a little refrain part that he uses because, you know, I can write more of this, so it doesn't matter.
[00:48:00] Speaker A: Yep.
[00:48:01] Speaker C: But the funny part about it is he hasn't really done a lot like after Zeppelin. He's done little things here and there, but nothing that you would expect for someone who prolifically wrote all this stuff. In Zeppelin, he wasn't very prolific after the fact back.
[00:48:12] Speaker A: He did what he do with the Firm. Right. And then he did the. The Coverdale Page thing. He did the. The no quarter back with Plant. I don't know if he was writing and maybe we just don't know if he was kind of like behind the scenes doing it.
[00:48:24] Speaker C: I don't know. I feel like you don't hear very much from him after Zeppelin goes. I mean, there's some things here and there It's a little hard to top what he did there. So maybe that's kind of what it is.
[00:48:32] Speaker A: It is hard.
[00:48:33] Speaker C: Yeah, it is kind of hard. So the refrain is, do you want it, do you want to do it when you wanna do you want it? Do you want to do it when you wanna? So then the bridge is, when you blow it, babe, you gotta blow it right oh baby, if you fake it, mama baby, fake it with all your might when you fake it, mama, please fake it right for yourself, babe when you f fake it, baby, you're faking it for your life for your life, for your life, for your life. So they say it could be a sexual reference, it could be a drug reference, it could be both together. And then the next refrain is, do it, do it, do it, do it, do it, do it when you want do it, do it, do it, do it, do it, do it when you wanna. I like that part. I like that little refrain. I like the riff there. And the drums are really great. He holds such a pocket for all the stuff that's going on. Because sometimes he's just like so straight when other things are going on and it just holds everything all together.
[00:49:23] Speaker A: Yep.
[00:49:23] Speaker C: It's very strange.
[00:49:24] Speaker A: Well, to me he's like. He's a legend. There are times where he plays simple and you say to yourself, okay, if that's what he wanted to do, then he could do whatever he wanted to. It's like Neil Peart, when you hear him play a simple beat sometimes and you expect him to be more complicated. And he is isn't. And you say to yourself, well, you know what? That's exactly what should have been played at that time because it's him. Shut up.
[00:49:45] Speaker C: I think it's good that he's playing that straight thing through other things happening.
[00:49:49] Speaker A: Yep.
[00:49:49] Speaker C: Because it kind of holds everything together. Cuz if he played too much there, it would wouldn't be right, it wouldn't sound as good and the groove would go away. He's just very good at keeping the groove no matter what else is going on all around him.
[00:49:59] Speaker A: Yep. Totally agree.
[00:50:00] Speaker C: Here we go. Guitar sol.
[00:50:57] Speaker A: I really like that solo as well. I like the sound of it. I like the feel of it. I like the little woody woodpecker accents.
It's good. I think that's one of my favorite parts of the song so far. What do you think?
[00:51:11] Speaker C: Yeah, it was good. And it's kind of really hard to play over some of that stuff that's behind it. I think it's mixed a little weird. Though. Feels like I don't hear him as much as I would like to hear him because the back is so much louder. But, yeah, it was. It was good. I liked it. I mean, he hasn't been bad playing solos here. I mean, again, not super composed, not all of it, but he has a little bit of, you know, improvisation going on. And I'm sure some of the stuff he worked out ahead of time. It sounds good. I have no complaints in that.
[00:51:40] Speaker A: Robert Plant said that this song was kind of written on the spot.
[00:51:43] Speaker C: I can see that.
[00:51:44] Speaker A: Yeah.
[00:51:45] Speaker C: All right, here we go.
[00:51:54] Speaker E: But I don't know what I would make. Good night. Stage is ending now End up right I Over your life for your.
[00:53:04] Speaker A: I was almost expecting something coming there. That song, maybe again, because you broke it up. Didn't feel as long either. It was okay. I mean, there's definitely stuff that I liked and other stuff I didn't like as much.
Like you said, it's Zeppelin, so sometimes it's hard to be critical. But obviously we all have rights to our opinion, and obviously we love the band in general. It's hard to like everything that a band does, no matter how much you like them. So I don't know if there's any more lyrics. And then you can go first in scoring.
[00:53:34] Speaker C: Thanks. There is more. Verse 3. Oh, I can have you, baby But I don't know what to do, yeah Sometime, baby Nothing I could do, yeah on the bounce of a crystal Paying through the nose when they couldn't resist you I thought you'd go with the flow and now your stage is empty Bring down the curtain, baby please fold up your show oh, oh hadn't planned to could not stand it to fry in it I had planned it I overran Planet Frying for your life for your life that's the only time they say the name of the song. I don't know. I don't hate this. There are parts that I wish were different, but I think just for the groove, in it by itself and the riffs and I'm just gonna go seven across on this. I think just because there are parts I like in here, and there's nothing I really don't like. I just feel it's a little long for the song that it is. And it ended. Weird. But, I mean, in general, I like it. Like, if this came on, I probably wouldn't shut it off. So I guess in that case, you know, it is what it is. Since I did a seven, I have to do a seven, don't I? Okay, so I'm going to do this because he's not here today.
[00:54:35] Speaker A: Yeah, it's Steve and it's quintuple seven. Nikki titty baby. That sounds more like Steve than Steve does.
[00:54:43] Speaker C: I know, doesn't it?
[00:54:45] Speaker A: That is so perfect. Holy cow, this one's hard. I don't think I can do sevens across can respect that. But I'm going to do a six on the lyrics. I'll do a seven on the music. Because of those two parts. Production. Production's a little weak for me. I'm gonna say six on the production. I'm not crazy about the production. I think those two parts were produced better. But in general, I don't really like the melody. I don't know if I'm gonna do. I don't know if I can do a five. I'll do a six on that. And the arrangement, too, is. It's. I. I like those parts, but it's just odd. I'll say six.
[00:55:18] Speaker C: I'm. I don't know.
[00:55:19] Speaker A: I'm not crazy about this one. I feel badly saying that. And this is probably somebody's favorite deep cut cut somewhere. It's okay.
[00:55:26] Speaker C: I did sevens just because there are parts that I do like and I do like the groove. Are the lyrics the best? No. But the funny part about that is no matter what you did, it still ended up being a seven anyway. It's still a middle of the road song.
[00:55:37] Speaker A: I was debating sevens, but I don't think. I mean, especially. I get. I don't want to compare. That's one thing. You can't do it, especially with a band like Zeppelin. If you sit there and start comparing some things that you don't like as much to stuff that you love, love, you'll really wind up giving some. Not bad scores, but lower scores. He said it's. It's okay. It's not terrible. The grooves are there. And I like those two other pieces, but it just didn't grab me as much.
[00:56:01] Speaker C: I'm kind of thinking that there was lots of drugs going on right now. They were kind of in the middle of all the. No, I mean, seriously, I think that has something to do with that too, because there you can hear the things that earlier on they would have done maybe a little bit better. They don't realize they're getting toward the end of their career, but they really are.
[00:56:17] Speaker A: Yeah. I mean, suppose it was a departure, I guess, a purposeful departure from some of the more grandiose things. I mean, Physical Graffiti was before this, which was a double album.
[00:56:27] Speaker C: All right, well, the next thing is Royal Orleans. Now, this song is 2 minutes and 59 seconds. This can be, like super fast.
[00:56:34] Speaker A: I'm thinking this is gonna be like a ditty. Let's see. I'm picturing, like a tune dead.
[00:56:41] Speaker C: Here we go.
[00:56:42] Speaker A: I remember the title. Title. Maybe that's why I do remember it. Who knows?
[00:56:45] Speaker C: Yeah, it sounds familiar too.
Alrighty, here we go.
There you go. You said that and there it is.
[00:56:59] Speaker A: I may remember this song.
[00:57:01] Speaker C: I'm to back it up. Here we go.
[00:57:14] Speaker E: Take care how you use it Try to make it last and if you take your feet Be careful how you choose it Sometimes it's hard to feel it bite Feel it bite you like, you like.
[00:58:32] Speaker A: I like the groove. I like that they build too. I think the production, again, is a little bit weak on this. And I don't know if it's just the version we're listening to. I know you said it was a remastered. I don't know if that has anything to it. It likes a little oomph.
[00:58:44] Speaker C: I actually really like this.
[00:58:46] Speaker A: It's not bad.
[00:58:47] Speaker C: No, I like the drum beat a lot. I like the words that they're making a story. I don't hate this at all.
[00:58:54] Speaker A: I like it better than the one before.
[00:58:55] Speaker C: It's another one of their grooves, though, that they've used prior so far. I like it. I know it's gonna be short, so it's gonna get in, it's gonna get out, it's gonna do whatever. So I don't hate this. Okay, so here are the words. Supposedly this is chorus. Who knows if this site is correct? One time love Take care how you use it Try to make it last all night if you take your pick Be careful how you choose it. Sometimes it's hard to feel it bite Feel it bite Verse one A man I know went down to Louisiana had himself a bad, bad fight and when the sun peaked through John Cameron and Susanna he kissed the whiskers left and right whiskers Verse 2 Now, now, now right subsides At a hotel in the quarter Our friends check in to pass the night now love gets hot but the fire preceded water Poor whiskers set that room light not bad.
[00:59:43] Speaker A: Yeah, it definitely paints a picture and.
[00:59:45] Speaker C: That'S why I like it. I like the groove and I think the riff is good. It is reminiscent of other stuff, though. Here we go. Guitar solo. Maybe he's gonna be three souls in a row for you, maybe. Here we go.
[01:00:18] Speaker E: Whiskey.
[01:00:23] Speaker A: I wish it was a little bit further up in the Mix. I liked it.
[01:00:27] Speaker C: It was good. It was very short, to the point. It's harder to hear because I think in general, the mix isn't great here. Even though I've given sevens, I could have easily given sixes to the production here. Even though you can hear everything, sometimes parts are just too low and they kind of get mixed up within other parts. You can't really hear them that well. I don't know if it's as good as the solos in the other two songs. For this song, it's fine.
[01:00:48] Speaker A: Yeah, it's fine.
[01:00:48] Speaker C: And short.
[01:00:49] Speaker A: Yep.
[01:00:49] Speaker C: I wish it would have been maybe a little bit longer so we could have worked some stuff out. Continue. Here we go. Let's play it out.
[01:01:07] Speaker E: One for the razor.
Now one time love take care how you use it Try to make it last at night.
You take your pick. Depends on how you choose it.
Sometimes it's hard to feel it. Right.
[01:01:56] Speaker A: I think. I think it's gonna end there. Yeah, that was good. I liked it. I like that one. I don't really remember it.
[01:02:00] Speaker C: Maybe first.
[01:02:01] Speaker A: There's actually a funny line in there.
[01:02:03] Speaker C: Down on Bourbon street, you know it's right. You can see my friend they all run around all through the night Most everywhere until the closet's bare Run for the razor burn doing up my hair New Orleans Queens sure know how to schmooze it maybe for some that seems all right When I step out Strut down with my sugar she best not talk like Barry White.
[01:02:25] Speaker D: Hi, this is Barry White. Please join me on Friday, Saturday and Sunday, first thing, I'm cutting the.
[01:02:32] Speaker C: Stop. Tony.
[01:02:33] Speaker D: Jesus. Do it over it. Hi, this is Barry White and Paul Quinn. College cordially invites you to a beautiful weekend on Friday. This these words up, man. I mean, he's got words that he don't even need. Hi, this is Barry White. This man. I'm gonna lay. Cut this off. Hi, this is Barry White and Paul Quinn College.
[01:02:56] Speaker C: She best not talk like Barry White. That's funny. Okay, then the chorus. Now one time love take care how you use it Try to make it all last all night. And if you take your pick, be careful how you choose it. Sometimes it's hard to feel it bite. Why don't you go first, then I'll make it easy.
[01:03:12] Speaker A: I'll just. I'll go straight sevens on that one.
[01:03:14] Speaker C: Ooh, straight sevens.
[01:03:16] Speaker A: Uh huh. Music can change the world because it can change people. People. And it's quintuple seven. Nikki titty baby.
If we ever really become famous, we should have all These people really just record Nikki Titty Baby over and over.
[01:03:32] Speaker C: I don't think that's what ever happened.
[01:03:35] Speaker A: Yeah.
[01:03:35] Speaker C: Good luck, though.
[01:03:37] Speaker A: Yeah. What do you think?
[01:03:39] Speaker C: This is a little hard. I like the music. I'm gonna say seven. Arrangement is fine. I'm gonna say six. Reduction. I'm gonna say six. I like the lyrics and melody. I'm gonna say seven on both of those. So I'm. You know, the arrangement's a little whatever and the production's a little whatever. Doesn't really matter. Still comes out to a seven no matter what we give it. Seven seems to be the number right now, which isn't bad. Stefan is not bad.
[01:04:02] Speaker A: No. I'm kind of glad, though, after those first two songs. They did one words in, and I.
[01:04:07] Speaker C: Can appreciate I was wrong. So this is the end of the first side.
There's three songs on the first side. Because the first song's 10 minutes.
[01:04:14] Speaker A: Yeah. So that's what, a 10, 6, 2. Give or take.
[01:04:18] Speaker C: Yeah. 18 minutes.
[01:04:19] Speaker A: Yeah.
[01:04:20] Speaker C: Makes about right. Right. 20 minutes a side, generally. So this is three songs and the second size four song.
[01:04:25] Speaker A: Back in the day when seven songs was an album. Yeah.
[01:04:28] Speaker C: Interesting record to get out. Of all the Led Zeppelin records we could get, this is the one we get.
[01:04:34] Speaker A: You figured we had this one or the next one, the last.
[01:04:37] Speaker C: Someone's trying to say, hey, you might know these things, but how about this?
[01:04:40] Speaker A: Yeah, this is the fun of it. It is fun to get stuff that you know and love and. Or don't like, considering that we do know this band. I've listened to this record. I don't really remember it other than Achilles Last Stand. And this one did sound familiar. We also mentioned how the last two songs especially have that typical Zeppelin groove or grooves that we've heard from them before. So there is a familiar Ality. Whatever that is.
[01:05:02] Speaker C: I even think the first song has a little bit of cashmere in it. It's got a little bit. It's got some stuff. So it's not totally devoid from what they do. But the last two songs on this side, I do feel there are other songs. I'm sure we're going to remember later what they are right now. I can't think about it. It is the groove of them. It's their groove. It's what they do.
[01:05:21] Speaker A: Well, Houses of the Holy Right. Doesn't that have that kind of doom? Doom. I think that has the gallop to it as well. That's cool.
[01:05:28] Speaker C: We had to get an album from them. This is a good album to Get. Because this is not one that you probably listen to all the time. You would listen to other things. 4 and 1 and 2, you know what I mean? Before you would listen to this.
[01:05:38] Speaker A: It is.
[01:05:38] Speaker C: I wonder if you were a fan of them when this came out in 76, what you thought of this.
[01:05:43] Speaker A: I would think people would like it. It sounds like Zeppelin. I'm not hearing anything so far that. That really sounds different to me. I think if you picked up any one of these songs and someone put the needle in the middle of the. Of the song, you would know who it was. If you knew the band, maybe the production's a little bit more subtle.
[01:06:01] Speaker C: I don't know if it's subtle. I just don't think it's great. I think that there's parts of it that are okay. I think a lot of stuff gets very jumbled up together.
[01:06:09] Speaker A: It's definitely a little weak and reserved for me. But I think it's purposeful. I think it's done on purpose. That's kind of the vibe. Just reading little snippets and things. It sounds like it was kind of done on purpose to not be as bombast. Yeah.
[01:06:21] Speaker C: Supposedly this was very fast recording and turnaround around since the first record. So they hadn't been, you know, this quick to record anything in a long time. Maybe that's something to do to his car accident.
All these things that had to happen. You know what I mean? But yeah, it's a cool album to get again and something that I probably wouldn't go to right away. So it shows you that the wheel is random.
[01:06:42] Speaker A: If I had to predict what she would pick from Zeppelin, I would say either Physical Graffiti, so it would take us four episodes or this or in through the outdoor.
[01:06:50] Speaker C: It does that sometimes, but then it goes and picks Bon Jovi, Slippery When Wet and New Jersey and gets both of the big albums out of the way.
[01:06:57] Speaker A: Yeah. Girls Girls, Girls by Motley Crue.
[01:07:00] Speaker C: Yeah. So you never know. 1984 picks lots of big albums. And then it takes this and goes here. Here's a curveball.
[01:07:06] Speaker A: Here's a massive band, but they're least selling album.
[01:07:10] Speaker C: Or hey, you know, people who play in this band or one or two people. Here's Cactus. And you're like, what?
[01:07:15] Speaker A: Exactly. This is the shortest side we've ever done. Right. I don't think we've ever had a three song side now.
[01:07:21] Speaker C: I'm pretty sure we'll see what happens next week. Hopefully, you know, it'll change it up a little bit maybe, who knows Alrighty. Why don't you do your thing?
[01:07:27] Speaker A: We are part of the Deep Dive podcast network again. Great bunch of guys took us in right away. Like I always say, if you want individual podcasts about bands including Led Zeppelin, I think they're on there, right? There's a, there's a Zeppelin podcast, I believe so there's gotta be. But you name it, it's, it's, it's on there. You can Queen Uriah Heap, Tom Petty, so definitely check them out. And mark, where can they find this.
[01:07:47] Speaker C: On the Internet pod on all the social media. Rockwithlatpodcast.com Go leave a new bets idea. Send us a note about how much we suck and don't know anything about Led Zeppelin or whatever else you'd like to say to us. Buy some merchandise, put us on the auto download on your podcast app. Please review us on any place you listen to your podcast. A five star review makes us get pushed out to more people and share out. If you like what we do again next week, we get to finish this out and then it'll be wheel time again. It feels like it's going to be a quick episode again. Even though this is not super quick quick. It feels quick because it's only three songs. So you're like, oh, that's it, we're done.
[01:08:21] Speaker A: Yeah. And the songs don't feel as long as they were. Maybe again, maybe because we cut them up. But I mean, it is Zeppelins. Even at their worst, they're still not bad.
[01:08:28] Speaker C: All righty, I guess we'll see you next week.
[01:08:29] Speaker A: Ch.
