Episode Transcript
[00:00:00] Speaker A: You.
[00:00:04] Speaker B: This is our musical reaction, breakdown and commentary analysis of this song. Under fair use. We intend no copyright infringement and this is not a replacement for listening to the artist's music. The content made available on this podcast is for educational and informational purposes only. Notwithstanding a copyright owner's rights under the Copyright act, section hundred and seven of the Copyright act allows limited use of copyrighted material without requiring permission from the rights holders for purposes such as education, criticism, comment, news reporting, teaching, scholarship, and research.
These so called fair uses are permitted even if the use of the work would otherwise be infringing. Now on to the Rock Roulette podcast.
[00:01:14] Speaker C: Budy, welcome back to another episode of Rock Roulette podcast. That's right, the Crazy Ass podcast that took 1100 albums over, that stuck them in a list, put them in a wheel, and every other week, typically we spin the wheel, she picks a record for us and we do one side per week unless it's really short and we can get through the whole thing. But we go by track by track and we talk about the lyrics, the music and the production and we rate it one out of ten just based on whatever we think. Again, just a bunch of friends that wanted to do a podcast and just having fun. So once again, we want to thank anybody who listens to us. Please, if you like us, spread the word, keep leaving comments. I think we've been getting more comments as of late, so we really appreciate anybody that basically says anything good. I mean, mostly things have been pretty good for us with the comments and everything. So again, thanks again, spread the word if you like us. And hey, if you want us to cover a record or you have any criticisms or comments, whatever, just give us a buz man. We'll get back to you ASAP. So tonight we are Tucson again. We have Mark.
[00:02:14] Speaker A: Oh, hi Mark.
[00:02:16] Speaker D: What's up guys?
[00:02:17] Speaker C: And I'm Sav Ciao Buena.
So last week we called another audible and we reviewed Mick Mars, the other side of Mars, because we figured, hey, pretty big name in the genre, a big genre that we listened to a lot in the 80s. So we figured, why not cover him? We did Ace free Haley the week before.
So, Mark, what do you think overall, you were a little disappointed with Mick, Mark.
[00:02:45] Speaker D: I mean, it's what he wanted to do. I don't think it's necessarily bad. I just think some of it's very cliche what's happening now as far as music goes. So I would have preferred something a little more that had his style that I thought he brought to Motley Crue. With him, but I understand that he doesn't want to do that. So it wasn't horrible.
[00:03:04] Speaker C: I think the first two songs were kind of that. You know what I mean? They were a little bit heavier. But me personally, and I didn't listen. I want to listen to it again, like I said, with better headphones. But I think kind of like once he got away from those two songs, I mean, I felt there was a lot of sensibilities kind of run through the modern production, which I know we didn't give overall bad production to that race, really, even though we can kind of complain about it. But again, me one big thing is usually the drums, they don't have life, they don't have soul, they don't have depth. I forgot what album I put on today. It could have been the Beatles, sergeant Peppers listening to the drums to say, God, they can't record drums that sound like this now. I mean, it sounds like, again, there's soul, there's depth to them. And nowadays I just feel like really, especially the drums, kind of suffer from this modern production.
[00:04:06] Speaker D: I think you're right.
[00:04:06] Speaker C: It was okay.
[00:04:09] Speaker D: This is exactly what he wanted to do. So he wanted that heavier side of him. That's what he, you know, obviously he was not worried, know, Motley fans liking or not liking it or whatever. Then he would have just done something that sounded like that sort of kind mean.
[00:04:26] Speaker C: It seems to be getting some good feedback. So whatever he did.
[00:04:34] Speaker D: Listen, you can't like everything.
I thought there was a bunch of stuff on there that were good.
It wasn't for me. It wasn't something that I'm probably going to go back and listen to.
[00:04:51] Speaker C: So this week, the wheel is back. She's back from vacation.
[00:04:56] Speaker D: Yeah. It must have missed the flight after the first one. It must have had a layover or something.
[00:05:01] Speaker C: Yeah, she missed audible airlines, I guess.
Yeah. We kind of kept her on vacation for a couple of extra weeks, but I miss her. I thought she was doing some pretty good stuff as of late. So are you anything that you're thinking about or where she might go today?
[00:05:21] Speaker D: Maybe two weeks at home, perfect vacation.
[00:05:26] Speaker C: Nice.
[00:05:27] Speaker D: Yeah, two weeks at home, perfect vacation. And meanwhile, this is probably all the wheel heard all the time while it was on vacation.
I think it was probably in the Caribbean somewhere.
[00:05:47] Speaker C: Yeah, just relax. As long as she had fun. We got to put her to work, though.
We need something good.
[00:05:55] Speaker D: I don't even have any kind of a clue what I want to pick.
[00:05:59] Speaker C: I got to tell you, I thought about it today. I would like something newer. Right. That doesn't have this modern production on it. That's what I would love. Something where it's like, when did this come out? Oh, wow. Recently. And it doesn't sound over compressed. It doesn't sound whatever. Or I'm like, oh, so they still can produce a record?
[00:06:22] Speaker D: You mean like rival sons kind of stuff?
[00:06:24] Speaker C: Yeah, I mean, that one's a little bit older, but if that still fits within the time frame, then. Yeah. Something where it has a little bit of like. I know I always say soul a lot, but death is.
But whatever. I'll take whatever.
[00:06:41] Speaker D: I do not know, but I'm ready to get back into the spin of things.
[00:06:47] Speaker C: Yes. The randomness of.
[00:06:49] Speaker D: The randomness of it.
[00:06:50] Speaker C: She's going to pick.
[00:06:53] Speaker D: Yeah, yeah. We probably could do another mother crue song generally because I think we're past the amount of.
[00:06:59] Speaker C: Yeah, well, I mean, that's so different from the Mick Mart stuff anyway.
[00:07:03] Speaker D: Yeah.
Are you ready?
[00:07:05] Speaker C: I'm ready.
[00:07:06] Speaker D: Here we go. Let's spin the wheel.
[00:07:28] Speaker C: Kings of neon only for. Only by the night. Am I reading that correctly?
[00:07:33] Speaker D: It's a little.
I don't. What is on this record? I don't know. Is it. The record has the big thing on it that we used to play.
[00:07:40] Speaker C: I honestly don't know.
I'm strictly. I know two songs by Kings of Leon and that is it.
I didn't even know they were on this list.
I see she came back with a vengeance.
[00:07:56] Speaker D: Yeah. Came back with something we wouldn't have picked.
[00:07:58] Speaker C: Probably good for her.
So this is 2008. Yeah.
[00:08:05] Speaker D: There's one song on there.
[00:08:06] Speaker C: You know there's two songs.
[00:08:08] Speaker D: Yeah. Our song is on here. Yeah, we used to copy, but it's funny, like you said, I don't know all the other stuff.
[00:08:18] Speaker C: No, literally the only two songs I know by Kings of Leon are on this record.
[00:08:24] Speaker D: Really? Yeah, too.
Me too.
[00:08:29] Speaker C: I mean, I like two songs.
[00:08:32] Speaker D: Yeah, well, we played one of them.
[00:08:36] Speaker C: We didn't play it exactly like the record. No, but that's why there were times I told you and the guys were like, listen, don't listen to this song. Don't listen to this song because we don't play it. If you listen to it, it's going to screw you up.
[00:08:53] Speaker D: Yeah, I know. We did it a little different.
I know we did it a little different.
I don't know. I mean, I obviously listened to the original when I was learning the song, but obviously once we started playing it, I probably didn't go back.
[00:09:13] Speaker C: Yeah.
Actually heard it. Not too long ago.
[00:09:19] Speaker D: This is a double album on vinyl.
[00:09:25] Speaker C: It's eleven songs. It's actually not that long.
[00:09:28] Speaker D: No, we'll probably go through the first side. The first side will be easy. The other stuff, it's going to be interesting because we don't really listen to them.
And this is 2008 already. Wow.
[00:09:43] Speaker A: Yeah.
[00:09:44] Speaker C: I don't think people want another long ass podcast. I think they need a short one from us.
Ace Frailey was what, three and a half?
[00:09:54] Speaker D: Ace Frailey was really long.
[00:09:56] Speaker C: Yeah, we had clips, we had stuff. I mean, there was a lot to talk about with that record, I think.
[00:10:03] Speaker D: Yeah, we couldn't really have done it much shorter.
[00:10:05] Speaker C: I mean, with Mick Mars we see it out of the politics and everything.
[00:10:10] Speaker D: You have the whole situation going on.
[00:10:11] Speaker C: Yeah.
[00:10:14] Speaker D: Well, cool. This is something different.
[00:10:16] Speaker C: Yeah, I'm excited. I mean, I like those two songs. I'm curious to see what the rest of it sounds like.
[00:10:23] Speaker D: Yeah, it's so funny. Like, we played this song, but we played the one song, but I never really went back to go, oh, I should listen to the other know.
So let's. Do I even know who the personnel is on this?
Oh, wow. They're all related. I didn't even know that.
[00:10:43] Speaker C: I knew that two of them were related because I think they don't get along well.
[00:10:50] Speaker D: Caleb, follow. Matthew, follow. Jared follow. Nathan, follow. I didn't know they were all related.
[00:10:55] Speaker C: Yeah, I didn't know that either.
[00:10:58] Speaker D: Who's producing this?
Angelo Petraglia.
What else?
[00:11:11] Speaker C: And another guy.
[00:11:12] Speaker D: He was born in the Bronx and grew up in Pellum, New York. So we got to rep the Bronx guy.
[00:11:17] Speaker C: Yeah, and he's italian, too. He's a python.
[00:11:21] Speaker D: I'm trying to think what else he.
Oh, he wrote a bunch of songs for Martina McBride, Tim McGraw, black Keys, Brooks and Dunn. He's done a lot of country.
[00:11:31] Speaker C: I had a good friend back in the day with the same name. I wonder if they're the same last name.
I wonder if they're related. I got to find out. I can find out.
[00:11:41] Speaker D: It's possible, I guess.
[00:11:43] Speaker C: There's actually two producers, though.
[00:11:45] Speaker D: Who's the other producer?
[00:11:50] Speaker C: Jacques choir king.
[00:11:56] Speaker D: He's done a bunch of stuff.
[00:11:58] Speaker C: Yeah, he did like switch foot.
[00:12:00] Speaker D: Tom waits.
[00:12:02] Speaker C: Tom waits.
Pretty big name.
[00:12:08] Speaker D: I'm excited for this because this is something, again, out of our wheelhouse a little bit.
You wanted something different.
[00:12:17] Speaker C: Yeah, I'm kind of cool with this. So let's see what happens here.
[00:12:23] Speaker D: Let me get this pulled up.
We will take a look and see what this is going to be like.
It's definitely going to be different than the stuff we've been doing.
[00:12:37] Speaker C: Yeah.
[00:12:43] Speaker D: Just like you, I know the two songs, and that's pretty much all I know.
All right, so the first song is called closer. Here we go.
[00:13:00] Speaker A: Beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep.
[00:13:12] Speaker D: So do you like the drums better already?
[00:13:14] Speaker C: Oh, yeah. Are you kidding?
It sounds like a snare.
[00:13:19] Speaker D: Yeah, I know. I think it's just the state of the way things are produced now is that either they're all using the same plugin, or they're taking drums and replacing them with stock things, and it just sounds very blah. And I think, another problem, I think. I don't know if we mentioned on the podcast, though. I think a lot of songs, since they're not played together anymore, it's hard for the instruments to interact, because either you get a track and then you're playing the drums to something else, which is maybe a drum machine or something else, it just doesn't sound, doesn't have the same kind of feel because you're not playing together in the same room.
So I think that's one of the things that I think is missing in a lot of stuff nowadays. I'm sure there's other stuff that's newer that's being done that way, but I don't think it's the norm anymore.
[00:14:05] Speaker C: Yeah, because you don't have to be. Right. But, I mean, if that's one of the things that's affecting it, then people should go back to the office, so to speak.
[00:14:19] Speaker D: So is this the funky little synthesizer thing going on on this?
It's pretty cool. Different.
Here we go.
[00:14:48] Speaker A: In the spooky town I've got to sweat down Lord, she took my heart I think she took my soul with moon I brought from the cotton just the fire is the.
[00:15:34] Speaker D: I like the sound effects and stuff. Guitar in the background doing some wacky stuff.
[00:15:42] Speaker C: It's definitely different melody.
[00:15:44] Speaker D: Yeah.
His voice is very.
[00:15:50] Speaker C: You know, it's.
[00:15:50] Speaker D: Him, and it's expressive, too. Check out.
[00:15:53] Speaker C: Yeah.
[00:15:54] Speaker D: So I'll read the first verse, because I don't know if you could get. If you got all the words from that.
Stranded in this spooky town stoplights are swinging and the phone lines are down floor is crackling cold she took my heart I think she took my soul with the moon I run far from the carnage of the fiery sun not bad.
[00:16:13] Speaker C: Yeah.
Suppose it's about a vampire.
[00:16:18] Speaker D: Is that what it's about. Sounds like continue.
[00:16:31] Speaker A: Showing on mercy I do it again, open up your eyes you give on cry.
I see a storm up and I'm from the shimani love on my own where am I? I 2000 years of case and taking it.
[00:17:49] Speaker D: There's a big ethereal kind of sound going through this whole thing. Yeah, I like it.
[00:17:56] Speaker C: Yeah, I like it, too. I mean, I would like if they kind of did a little bit, maybe something different on the chorus or this verse now, like added something because it.
[00:18:05] Speaker D: Feels even like the same thing, right?
[00:18:06] Speaker C: Yeah, like a tambourine. Just kind of. Just something to kind of differentiate it. But I mean, it's pretty good.
[00:18:16] Speaker D: So the verse is driven by the strangulous vein. Showing no mercy I do it again, open up your eyes, you keep on crying baby I'll bleed you dry skies they blink at me. I see the storm bubbling up from the sea.
And it's coming closer and it's coming closer. That's the chorus. And then the third verse is. You shimmy shook my boat leaving me stranded all in love on my own do you think of me? Where am I now, baby, where do I sleep? Feel so good but I'm old 2000 years of chasing taking its toll.
[00:18:50] Speaker C: I.
[00:18:50] Speaker D: Don'T really think there's going to be any kind of solo here. I don't think. I think this is just going to ride its way out. But I could be wrong. I don't think so, though. There was a little guitar. There's a little guitar break in the chorus area, but it's definitely not a guitar driven song. Really?
[00:19:08] Speaker C: No.
[00:19:11] Speaker D: But yeah, it's not bad. Again, it's cool. So this is all new to me.
I like when I hear things he had like that I would never heard before.
[00:19:20] Speaker C: Yeah.
[00:19:23] Speaker D: I'm trying to think. And his voice is super duper noticeable. Like, you know, it's him. It's very unique.
[00:19:32] Speaker C: It's good. I mean, it fits perfectly.
[00:19:35] Speaker D: They're from Nashville, I think.
[00:19:37] Speaker C: I think so. Yeah.
[00:19:40] Speaker D: So there's two brother. There's three brothers.
Caleb, Nathan and Jared. And the cousin is Matthew.
So they're like the B train kind of thing.
All right, let's continue. Here we go.
Sort of. Kind of. I mean, I don't think you count that as a solo. It was just more like a usable break with some guitar, but yeah.
[00:21:18] Speaker C: I'm glad they did something different, though.
[00:21:20] Speaker D: Yeah.
So what do you think? You go first.
[00:21:25] Speaker C: Let me see.
I like the story element to it.
I'm going to keep it conservative just for this one. But I do like it. So I'm going to say seven on the lyrics.
I'm going to say eight on the production music, I'm going to say seven. I did like what was going on. Like I said, maybe if there's a little bit of differentiation, more different between either the chorus or even the verse when it came in. But I do like that part at the end. I could give it an eight, but like I said, I'm going to stay conservative now and give it a seven.
But it's cool.
It's a pretty good song. I'd listen to it again.
What do you think?
[00:22:13] Speaker D: Yeah, I think I'm going to match you. Seven, seven, eight. I like the production. I like the drumstat drum sound. Really good.
[00:22:19] Speaker C: Yeah.
[00:22:21] Speaker D: For a guitar player, it's not the biggest thing in the world.
So, I mean, I can't say, oh, it's the best guitar playing for me. But I liked it a lot. I liked. It was a little different than the other things that I've heard from them.
It was less straightforward, which was an interesting way to open the record up.
I liked it in general. I thought it was good. Yeah, it was good. I don't know what I'm expecting. I wasn't really expecting that, I don't think.
[00:22:51] Speaker C: No, that was definitely different than the two songs that everybody knows, I think.
[00:22:57] Speaker D: Yeah. Well, it was popular enough where we did one of them.
Okay, so let's see where they go next. The next thing is called crawl.
[00:23:26] Speaker A: Sa fall. My pride don't ever need to father die shall live unfold shaken up from the cold. You better learn to crawl.
You better learn to crawl far walk away way before I walk away.
[00:24:32] Speaker D: That bass is fuzzy.
[00:24:34] Speaker C: Bass. Yeah.
[00:24:36] Speaker D: But it's interesting to do that because it could have been just a regular bass, but they threw all that fuzz on it.
[00:24:41] Speaker C: Yeah. That's cool, though.
[00:24:43] Speaker D: Yeah. Supposedly it's about the end of days that are going to happen.
The prophecies that are coming to true and things like that.
So the first part of the lyrics are, you fall for my pride don't ever need to apologize as your lips unfold. Shaking purple from the cold. You better learn to crawl. You better learn to crawl. Before I walk away. Before I walk away.
[00:25:17] Speaker C: It gives me like a u two vibe.
[00:25:20] Speaker D: It is a little u two ish, I was thinking. Yeah. I mean, it's not like the super delay kind of edge kind of guitar.
[00:25:29] Speaker C: Stuff, but those chords, especially that, like, those chords, it's not exactly, but it kind of has that vibe.
[00:25:39] Speaker D: No, I can definitely hear that. Yeah, I like it, though.
[00:25:42] Speaker C: It's good. Yeah, it's good.
Again. I wish the chorus was a little bit different.
[00:25:49] Speaker D: Yeah, they tend to. Well, at least in these songs here, they're not changing very much.
[00:25:53] Speaker C: No. And, I mean, it comes in so quickly.
[00:25:55] Speaker D: Yeah, that's okay. Not every song needs a bridge or kind of thing. No, it's definitely coming a little faster through it. All right, let's continue.
[00:26:14] Speaker A: You broke my mouth the blood now is your grave unscathed the worm of countdown today he wants to see you crawl he wants to see you crawl before I walk away while I walk away the rest of the wife and a few the crucified USA and then the public beyond our Juliana's way all.
[00:26:58] Speaker D: Right, so there's going to be a break there. So I want to stop for the break.
So the verse is, you broke my mouth the bloody bits are spitting out is your grave on the scathe the worm is counting down the days and then he changes the chorus up a little bit. Says he wants to see you crawl he wants to see you crawl before I walk away before I walk away and then there's what they call a post chorus, which I guess you call a bridge, I guess. The Reds and the whites and abused the crucified USA as every prophecy unfolds oh, hell is truly on its way yeah, it's pretty good. Yeah, I like it.
I definitely get. The more I listen to it, the more I hear the YouTube. Yeah, that's not a bad thing, though.
[00:27:46] Speaker C: No. Hey, listen, definitely not in my.
[00:27:51] Speaker D: This might be better YouTube than new YouTube, maybe.
[00:27:54] Speaker C: Yeah, it might be. Definitely some of the stuff I've heard.
[00:27:58] Speaker D: This album's got at this point, too.
[00:28:03] Speaker A: All right, let's continue waiting.
Just crown for they walk away before they walk away the rams and the whites and abuses the crucified USA and then the prophet beyond our hell of.
[00:30:08] Speaker D: So let's talk about lyrics, and then we can talk about that little outro thing as the rat and the fly they're searching for an alibi as you. Wait, the rat, they never went to Sunday mass back to the chorus again and then back to the free or bridge or whatever you want to call it.
Then there was that little solo thing, which was interesting. Yeah, I mean, it's not technically like, oh, my God, we're great guitar playing stuff, but it was good. It fit for the song. And, yeah, I didn't hate it.
I like the overall vibe. I think more than anything, I do wish that the sections were a little more delineated.
[00:30:50] Speaker C: Yeah, absolutely.
[00:30:52] Speaker D: At least on these two songs, it feels like it's the same kind of riff going through. Maybe the Reds and the whites and the views right there. That part changed a little bit.
[00:30:59] Speaker C: Yeah, it does change a little bit.
[00:31:01] Speaker D: But not a lot.
But I like the fuzzy bass tone, I thought. I think that was a really good idea.
[00:31:07] Speaker C: Yeah, I like that.
[00:31:11] Speaker D: I think I'm going to stay seven with lyrics, I think still, and musician wise, I mean, everything sounded good.
I mean, I like the little guitar riff that's in there. I like the bassy, fuzzy bass thing. The drums are good.
I'm going to say seven on that, too. And then production. I like the production a lot.
It's nice and clear. Drums sound really good. I wish the last two records had drums that sounded like.
[00:31:38] Speaker C: Yeah, me, too.
[00:31:39] Speaker D: I was missing the real drum thing. After you're starting to hear those modern drum production, you're like, it's not very good.
[00:31:46] Speaker C: Yeah.
[00:31:46] Speaker D: When you hear something like this, you're like, wow.
[00:31:48] Speaker C: I know. It actually sounds like a snare on a drum set.
[00:31:51] Speaker D: Yeah, I know. Instead of a tom. Yeah. All right, so what do you think?
[00:31:56] Speaker C: I think I'm going to say the seven. I'm going to say seven on the lyrics, seven on the music.
Like I said, I like them both. If they just had a little bit more differentiation, I think it would have been better. And. Yeah, production, I'll see you. I mean, it was loud, but it was contained, which I like.
And again, the drums sound really good.
[00:32:18] Speaker D: Yeah, no, I thought it was good.
It was an interesting one two opening.
So now is one of the big songs, which is sex on fire.
This was pretty big. I'm surprised we hadn't done this song.
[00:32:34] Speaker C: I think we had mentioned it.
[00:32:36] Speaker D: Did we? I don't remember.
[00:32:38] Speaker C: I think we mentioned almost every song ever written at some point, probably.
[00:32:44] Speaker D: I mean, it was number one on alternative airplay in the United States.
Rock and alternative. It was ten adult top ten. It was 18, it was 56 in the Billboard Hot 100. So it was a big song.
[00:33:00] Speaker C: Yeah.
[00:33:01] Speaker D: There were a lot of bands that were doing this song.
I think we both heard this. But it's going to be interesting to pay a little more attention because I don't really pay that much attention.
This and the next song are more of a rocky kind of thing.
Right. Isn't it less weird, kind of like etherily kind of music, or just like trying to make music to make sound? This is more typical.
[00:33:31] Speaker C: Yeah. And I think this is straight up rock. I would say yeah, I think so.
[00:33:36] Speaker D: Here we go. Sex on fire notice. It's like a reggae kind of beat a little bit.
Very police, right?
A little bit drum sports. Anyway, yeah, here we go.
[00:34:19] Speaker A: Don't make sound.
I know the watches watching all the promotion kill up made happy for talking Yama, you the fragment of day head while I'm driving, I'm driving.
Something open the knuckles of hell feels like a dying.
You're dying?
Yeah, just on fire.
You it with a watcher on fire hot as a fever.
[00:35:47] Speaker D: I'm going to stop right there before it continues. So what do you think so far? Is there anything you're noticing that you didn't notice before?
[00:35:57] Speaker C: No. I'll be honest, I never caught this. I knew of this song, but I never caught it too much.
I learned use somebody because I was working somewhere and my coworker had the Sirius FM on his computer and he would play the alternative station and that would come up and it's like, oh, that's a good song. Who is. It's like, oh, kings of Leon, you know, I really like them. Meanwhile, I think what is like the fourth album, this one at this point or something? I think it was reading.
So, I mean, they've been really. And this one I kind like passing by. I was like, oh, this sounds like Kings of Leon. And it was.
[00:36:47] Speaker A: Was.
[00:36:47] Speaker C: I like, oh, this is a pretty good song, too, but I never kind of searched it out.
But it's good.
The production, again is really good.
He doesn't do a lot in choruses, though. That's one thing I noticed, which again is not a big deal. But I like that he doubled it up the second time even. It's.
[00:37:05] Speaker D: Yeah, it just makes it a little longer.
[00:37:07] Speaker C: Yeah, because, I mean, it's a good chorus.
[00:37:13] Speaker D: As far as guitar playing lies. I like that it's not just chords. Like, he's playing a lot of little runs and pieces of chords and not just like big, just straight power chords or whatever. Yeah, it always makes it a little more interesting than just doing that.
So the lyrics are lay where you're laying. Don't make a sound. I know they're watching. They're watching all the commotion. The kitty, like play. It has people talking, talking. You your sex is on fire and then second verse is the darker of the alley the breaking of day head while I'm driving, I'm driving soft lifts are open them knuckles are pale feels like you're dying, you're dying, you your sex is on fire consumed with what's to transpire I think it's good.
I feel a little police. Maybe it's the drums a little bit for me. Feels the police bass playing.
[00:38:08] Speaker C: I can hear that.
[00:38:10] Speaker D: The bass playing is good, too. Everything's pretty good.
[00:38:14] Speaker C: Yeah, no, it's a good song. It's definitely a good song.
[00:38:18] Speaker D: I think I caught the chorus more than I caught the verses, I tell you truth.
[00:38:22] Speaker C: Yeah, I think so.
[00:38:23] Speaker D: Listening to it now, right? Yeah, I'm the back of the. Here we go.
[00:38:32] Speaker A: Hotter than a fever, rattle the bone.
I could just taste it, taste it forever to the greatest.
The great greatest. Yeah, it's not on fire.
It's not built on fire.
You.
[00:40:02] Speaker D: In and out.
[00:40:06] Speaker C: I was actually waiting for a fade on that one, I thought.
[00:40:08] Speaker D: 323?
[00:40:09] Speaker A: Yeah.
[00:40:09] Speaker D: I think I would have liked a fade again. I'm a fan of the fade.
Third verse is hot as a fever, rattling bones. I could just taste it, taste it if it's not forever if it's just tonight. Oh, we're still the greatest, the greatest, the greatest.
And so I'll read the last course. You, your sex is on fire. You your sex is on fire. Consumed with what is to transpire. And you your sex is on fire. Consumed with what's to transpire. Just the fact he got transpire in there. It's pretty good.
It's not easy words to put in lyrics.
[00:40:45] Speaker C: Yeah.
[00:40:46] Speaker D: So what do you think?
[00:40:48] Speaker C: All right, so I gave seven to the other lyrics. I don't think these are as good. I mean, obviously they are what they're about, straightforward.
But I gave the other one seven. So I'm going to give this one six.
I got to give the music an eight, though.
I think the other two were more interesting in terms of what they were doing. But the structure of this one. And again, a song doesn't have to be verse chorus, but just the fact that there is this kind of separation. And it's catchy. Like, the parts are good, the verse is catchy, the chorus is catchy. I like what they're doing with the music.
And I'm going to say eight again on the production. So it's good. It's better than I remembered. Because again, wasn't one I paid attention to, but always knew was there kind of thing. So what do you.
[00:41:43] Speaker D: I think. I think we're on the same exact wavelength. I'm going to do the same thing. I think the lyrics in the other one are a little bit better. Melody is good in here, though. I like that they separated things. A little more guitar for me. So that's good. So that's going to be an eight on the music. I had a little bit of more interesting things going on. The bass was awesome on the song. Yeah, drums are really good. Drums sound really good. Bass sounds are really good. So production is going to be an eight again.
I do think that this stuff sounds way better than their stuff that's going on now.
You would wish somebody could get back to doing.
[00:42:21] Speaker C: I don't. I don't understand, at least the mean. I was actually listening to the Ace Frailey podcast that we did and just going, I'm like, let me listen to the drums again to see if I was just too. But it's just. It's that weird snare sound. A lot of the same fills on that one.
Mean, I know we had spoken about the way it was done and was the way they had to play it, and maybe they were kind of restricted a bit, but just the sound of it.
Imagine even these drums in either one of those records would have made them that much stronger, I think.
[00:43:00] Speaker D: Yeah. Well, again, I'm pretty positive these things probably the basic tracks were done together. It just sounds like.
Just sounds like that to me. It doesn't sound like. Just, oh, here, just play over this drum track. You know what I mean? Do your stuff, because you really can't have much interaction with anyone because all you're doing is really playing to what's already there.
[00:43:19] Speaker C: Yeah, no, there's a feel to these songs. Right. Like they were written together and I don't know how it is, but it kind of sounds like it was written together and played together.
[00:43:31] Speaker D: I agree. All right, so now it's you, somebody, obviously. This is the song we used to do. I haven't heard this in a long time, so I'm curious to see how I remember this song and what we had to do to record this.
[00:43:46] Speaker C: Well, I can tell you one thing. The drums are going to be different.
I can tell you that for sure. Yes. Because when I listened to it trying to learn this, I wasn't crazy about how he played the drums to this.
And I'm okay with off and whatever, but I just am not feeling it. I'm going to do it straightforward.
[00:44:07] Speaker D: Yeah, I'm curious to listen to it now.
I really haven't listened to this since I learned this song years and years ago, because once we learned it, I never went back and listened to it because you were playing it. So you were just like, I listened.
[00:45:01] Speaker C: To it one time. It came on the radio, I was like, yeah, I don't do that on the drums.
[00:45:05] Speaker D: That's very funny. All right, let's continue.
[00:45:08] Speaker A: I've been roaming around? Always looking down at all? I see painted faces fill the places I can reach?
You know that I can yoke somebody?
You know that I could yo. Somebody?
Someone like you and all? You know and how you speak?
Countless lovers on the COVID of the street?
You know that I can go somebody?
You know that I can go somebody?
Someone like you?
[00:46:07] Speaker D: You know what? I never noticed, and I don't think I ever did it was that other guitar in the background there.
Because I think when we did it, I was the only one playing guitar, so I had to make a choice about what I was going to play. So I think I just played the main chords and stuff. But now. But if you listen to that guitar back there, it's very you two.
You notice that in the background?
[00:46:29] Speaker C: Yeah, there's definitely you two. Sensibility so far to all these songs, I feel.
[00:46:36] Speaker D: Supposedly he was feeling blue on medication and alcohol after a surgery when he wrote the lyrics. So who knows what the medicine was doing to him.
Obviously, we probably know the words, but we'll go through them anyway. I've been roaming around? Always looking down at all? I see painted faces filled to places I can't reach? You know I could use somebody? You know that could use somebody? Someone like you and all? You know and how you speak? Countless lovers undercover of the street? You know that I could use somebody? I could use somebody? Someone like you?
I always like the song. I like playing the song.
[00:47:13] Speaker C: Good song.
[00:47:15] Speaker D: All right.
[00:47:18] Speaker A: Someone like you sand while you live it up? I'm off to sleep with it more to shake the hole when I'm the be.
I hope it's gonna make you know that?
I hope it's gonna make you know that.
Someone like me?
Someone like me?
Someone like me.
I.
[00:48:43] Speaker D: Always like that was like that thing with just the bass coming in and no guitar on the second time. I like that a lot.
[00:48:51] Speaker C: So the way he's playing the drums here is the way I played it through the whole song. Because when we did it, also the whoa, whoa, whoa. We did. That was up front, like this one. It's kind of in the back. So I also played this way because it kind of accentuates the woe woes.
[00:49:09] Speaker D: And I like the second line of this verse a lot. Off in the night while you live it up I'm off to sleep. Wage your wars to shape the poet and the beat I like that.
[00:49:18] Speaker C: I always like that line, too.
[00:49:19] Speaker D: I hope it's going to make you notice. I hope it's going to make you notice someone like me.
So we'll get into the bridge. The bridge is. I mean, lyrics just basically repeat, but it's just really good. Here you go.
[00:49:36] Speaker A: Only I, you.
[00:50:34] Speaker D: Solo. Solo is just basically like a metal melody solo. It's pretty good. I think our version was a little more stripped down than this. There was a lot less production, I think, when we did it.
[00:50:45] Speaker C: Yeah, it was more rock, I think so. I never knew that in the bridge, they said, don't let it out.
I thought they said, I'm ready now. Which is funny, because we recorded this song in the studio and I sang background vocals with our lead singer, which means that if she knew that this is what the words were, her and I were singing two completely different things.
[00:51:10] Speaker D: I'm going to have to listen to that now.
[00:51:11] Speaker C: I know if we find it, I have it.
I'm pretty sure.
[00:51:18] Speaker D: Well, maybe I'll tack it on the end of the episode. Maybe.
[00:51:23] Speaker C: Yeah. The production on that one was not great.
[00:51:25] Speaker D: Yeah.
It was a little bit rushed anyway, but still, I mean, I thought was okay. Yeah, it was very rushed.
Why don't you go first? Go ahead.
[00:51:37] Speaker C: I was going to say six on the lyrics again, just in comparison. But, I mean, that line is really good. And I can understand. It's simple, but I think in a case like that, I can understand the simplicity and I can feel the emotion in it. So I'll say seven on that. I'll say an eight on the music again. I mean, the music is really good again. This song, from the first time I heard it, stood out to me, and I was always happy to play this one.
Yeah. Native production, too. It's clear.
Everything is. The level is good. And I like how the guitar ramps up in the skull at the solo.
So, yeah, I mean, it's a really good song. What do you think?
[00:52:20] Speaker D: I really like the lyrics a lot. I like that one lyric a lot. So that's going to push it into the eight for me.
Musicianship is good. I like eight. I like the bass part. I mean, his bass playing is really good through this whole thing. Drums are really good through this whole thing. Guitar playing is good. It's sparse, but it's good. And production is great. I'm going to give it eight across the board. I kind of think that so far, this is probably my favorite song. I mean, just because there's a little more change. I like the first two songs for their atmospheric kind of thing. I think the last two songs were more straight ahead, trying to make something with a chorus and a verse. A little more broken up. So I'm curious to see the next song, if they go back or they continue to do what they've been doing right now. Just curious to see if that changes.
[00:53:12] Speaker C: I mean, as far as I know. I don't know any other song from this record.
[00:53:16] Speaker D: I don't think so either, unless I hear it.
[00:53:18] Speaker C: I was like, oh, shit.
[00:53:19] Speaker D: Yeah, it's possible.
All right, so the next song is called Manhattan.
[00:53:25] Speaker C: Yeah, this was a single, too.
[00:53:26] Speaker D: A single, too. So maybe we know it.
[00:53:28] Speaker C: Maybe we heard. Yeah, we might know it.
[00:53:30] Speaker D: Okay, here we go.
[00:53:50] Speaker A: Songs are there, but that's how bad you're not top bedroom no matter who you are so we dance all night and dance all day I said, I said.
[00:54:22] Speaker D: I like the bass player a lot. This bass player is really good.
[00:54:27] Speaker C: I like how it's so simple in a sense, but it really makes the chorus. Right. That little.
[00:54:36] Speaker D: Yeah, no, it's really good. And supposedly it's about Native Americans. I wonder if this is about Manhattan getting bought for. What is it, a quarter or whatever.
[00:54:46] Speaker C: It was back in the day?
[00:54:47] Speaker D: I forget.
[00:54:48] Speaker C: $24, wasn't it? I think it was $25.
[00:54:50] Speaker D: Yeah, maybe you're right. I forget.
So I think that's what it's about. So the verse is, I'd like to dance all night and some of the day but that's how I play. That's how I play I said who are you no matter who you are so we dance all night and dance all day I say, I say and the bass part makes this whole song.
[00:55:09] Speaker C: Yeah, the bass is really good. I like the drums, too, though. I mean, I like the way. You know what I mean? He's not playing something really straightforward.
[00:55:19] Speaker D: Yeah, it's a little swing to it, right? Yeah, it's poppy and kind of southern rocky. And there's just a bunch of stuff going on.
[00:55:26] Speaker C: Yeah, it's got that mix.
[00:55:27] Speaker D: I like it. Okay, we go verse two.
[00:55:30] Speaker A: Feel the fire, don't stoke it up we're going to sip this wine and pass the cup on his avenue on his reservoir we're going to show this town how to kiss me stop I said, I said, you sauna a yell belt dream and away I ride I never got to feel I'll never caught a ground so for you for what you found I said, I said, I said.
[00:56:55] Speaker D: It was a pretty cool, like, bass fill in. There's a couple cool drum fills in here.
[00:57:00] Speaker C: Yeah, and I like how he switched to the crash on that, too.
[00:57:04] Speaker D: It's pretty cool.
[00:57:05] Speaker C: My only criticism right now would be when he's doing, like, that solo part on the guitar.
I wish that was brought up front because he's been playing on the left side, right? That little thing that keeps going edgy thing, which is cool. But then just when it came to that part, I was like, all right, bring this part forward to kind of elevate it, but they kind of kept it in the back. I was like, I wish they kind of made that louder.
[00:57:29] Speaker D: The only thing I can say is, I think they're trying to emphasize the bass a lot.
[00:57:33] Speaker C: Oh, yeah.
[00:57:34] Speaker D: That bass is, like, right up front in your face. So maybe that's the reason why they pushed it back. But you're right, I think it could be a little bit louder. And it's soaked in reverb, and so it's very washy back there on the left side.
All right, so the verse is, we're going to fuel the fire. We're going to stoke it up. We're going to sip this wine and pass the cup who needs avenues? Who needs reservoirs? We're going to show this town how to kiss these stars excuse me. And then I say, I say is the chorus. And then the third verse is, I'm on a hunt to kill I'm going to skin the hide a yelp and scream and away I ride and every drop that spills on every spot of ground it's all for you for what you found and his voice is really good. It's very expressive.
[00:58:22] Speaker C: Yeah, he's got a good.
[00:58:24] Speaker D: Really well. He's singing really well.
[00:58:26] Speaker C: Yeah, I really like his voice.
[00:58:28] Speaker D: You're not going to mistake these guys for anybody else, I don't think.
[00:58:32] Speaker C: No.
[00:58:35] Speaker D: It'S good. I like it. Here we go.
[00:58:40] Speaker A: It's gonna take your head and gonna drive you home it's gonna keep on, keep on and then forever ar.
[00:59:41] Speaker C: Too crazy about that ending.
[00:59:43] Speaker A: No.
[00:59:44] Speaker C: I would have liked if they kind of ended it stronger, but it's not. Again, it's not bad.
[00:59:48] Speaker D: We're like, yeah, no, yeah. I mean, you know, it's nitpicky, but. So the outer is. The outer is it's going to take your hand and. And drive you home. It's going to keep on, keep on, keep on and then forever roam I like it.
[01:00:05] Speaker C: Yeah, it's good.
[01:00:07] Speaker D: Yeah. I wish the guitar was a little louder, though. I agree on that side.
[01:00:12] Speaker C: Change it up a bit because it was in the back the whole time, but it was cool. I mean, I like what he was doing and, like, I said just for that part, just because obviously it's different. He's doing kind of a solo thing.
[01:00:24] Speaker D: Yeah.
I don't hate the lyrics. I mean, they're okay.
I like the melody more. I think I like his delivery. So I'm going to say six on the lyrics mean I don't hate them. And not by giving them six do I think it's so much worse than the other things. I think it's equivalent. It could go six, it could go seven. It can go anywhere there.
Musicianship, I think is great still. I'm going to give it an eight. I like the bass, like all that stuff. It's awesome.
And production, short of the guitar being. I might give it a ding and a seven just because that guitar should be a little bit louder, I think. But that's not as far as, like, the production. It sounds really good.
What do you think?
[01:01:08] Speaker C: Yeah, I'll say seven on the lyrics. I kind of like the sentiment and also, again, kind of like that poppy thing. But when you start looking at some of the lyrics, some of it's really heavy.
So I like that. I'm going to say an eight on the music as well. I mean, I really liked it. It was definitely interesting.
And I'm going to say an eight on the production. I mean, again, it was just that one little par where I thought. But I mean, other than that, I think everything was. The drum sounded really good, the bass was great.
They aren't unique in what they're doing. They definitely try to keep it interesting. You know what I mean? What's in the back is it. Singer plays guitar too. And guitar.
[01:01:57] Speaker D: Hold on.
Lead guitar and vocals and keyboards and a couple of songs.
Caleb plays vocals and rhythm guitar. Jared is bass guitar and vocals and Nathan is drums, percussion, vocals. So they all sing.
[01:02:19] Speaker C: There's not much going on, though for background vocals, at least not that I've. Other than the.
[01:02:26] Speaker D: Well, one of the producers, Angelo Petraglia, is. He's playing keyboards on the next song, so I'm curious to see what they do there with so his. So this is a song called revelry.
This is a single, too.
[01:02:50] Speaker C: I definitely never heard Manhattan before, though.
[01:02:52] Speaker D: No, me neither. So maybe I haven't heard this either. I guess we'll see. Here we go.
[01:02:56] Speaker A: Wouldn't I put dance? You know I'm a dancing machine with the fire my bones and the sweet taste of kerosene I get lost in the light so high don't want to come down to face the loss of the good thing that I found woohoo close it in the dark.
[01:03:37] Speaker D: I'm not too shrum, so I know there's a reason why they're making the drums sound that way.
I assume that's drums and not a machine.
[01:03:45] Speaker C: Yeah, it sounds like brushes, so it's probably just obviously produced, recorded. There's an effect on it, I guess. Maybe like the kind of the megaphone thing where it's in the back or the telephone voice, if some people call it.
But, yeah, I think that should seem on what the brushes do.
[01:04:07] Speaker D: Yeah, I'm curious to see if that changes up or it stays that way throughout.
[01:04:09] Speaker C: I think so. I think it's probably going to.
[01:04:11] Speaker D: You think so?
[01:04:12] Speaker C: Build up. Yeah, but we'll see.
[01:04:15] Speaker D: So the verse is what, a knife or a dance? You know, I'm a dancing machine with the fire in my bones and the sweet taste of kerosene I get lost in the night so high I don't want to come down to face the loss of the good thing that I found woohoo, woohoo.
They're saying that's a bridge. The woohoo.
[01:04:36] Speaker C: The woohoo bridge.
[01:04:39] Speaker D: I'm curious to see if this changes or it's going to kind of like, stay in this very type of mood. I'm curious.
[01:04:48] Speaker C: Yeah.
[01:04:49] Speaker D: Long song. 322. It's short.
All right, here we go.
[01:04:59] Speaker A: With the heart of the heart I feel full of pain so I drink and I smoke and I ask if you ever round even though it was me who drove us right in the ground see the time we shared it was precious to me all the while I was breathing revelation I'm gonna run, baby run like stream down a mountainside with the wind on my back on every even better night just know it was you all along who had a hole in my heart but the demon of me were the best friends from.
[01:06:02] Speaker D: Stars bass is ridiculously good.
[01:06:06] Speaker C: Yeah, I was just thinking that. Too bad Nick and Steve aren't mean. He's. He's a really good bass player. Drummer's really good. They're all.
[01:06:16] Speaker D: They're all good again, though. The guitar is so far back. So far back, it's almost. Sometimes you can't even hear. It's so far back.
So I would like that to be a little louder, personally, but I'm a guitar player, so I guess that's why.
[01:06:32] Speaker C: Yeah, that's almost so.
[01:06:35] Speaker D: The verse is. In the dark of the night I could hear you calling my name with the hardest of hearts I still feel full of pain so I drink and I smoke and I ask you if you're ever around even though it was me who drove us right in the ground. And the chorus is. See, the time we shared it was precious to me but all the while I was dreaming a revelry and then the next thing is. Next verse is. Born to run, baby, run like a stream down a mountainside with the wind in my back I don't even bat an eye just know it was you all along who had a hold of my heart but the demon and me were the best friends from the start.
[01:07:14] Speaker C: So I'll forgive him because it's kind of cool because that heart and start rhyme, that's always. You know what I mean? But I give him credit. I think he kind of worded it a little bit better.
[01:07:25] Speaker D: Yeah. Obviously, this is out of breakup and stuff.
[01:07:29] Speaker C: Yeah. It's like guilt over a breakup.
[01:07:32] Speaker D: Yeah. It's good, though. I like lyrics.
[01:07:34] Speaker C: Yeah, I like it. The drums opened up.
[01:07:37] Speaker D: Yes. Changed up.
[01:07:39] Speaker C: And the bass, it's unique.
[01:07:41] Speaker D: The bass is like the guitar of the band.
[01:07:45] Speaker C: Yeah.
[01:07:46] Speaker D: It takes over the melodic thing, even though. And the guitar is more like an atmospheric kind of thing in the background.
I'm assuming that's on purpose.
[01:07:56] Speaker C: Yeah, it's unique. But, I mean, the songs are good. I mean, the melody is good.
[01:08:01] Speaker D: Yeah.
All right, let's continue.
[01:08:05] Speaker A: So the time we shared it was fresh to me all the while I was dreaming a revelry you and I told myself always rains the heart of felt like no everything came down on me in the back of the wood darker than night failed the old moonlight never the thing is built on the way for me feeling revelry dream of the revelry dream of the revelry dream of the revelation.
[01:09:36] Speaker D: Keyboards weren't super, like up front.
[01:09:38] Speaker C: No. It kind of felt like we're just kind of accentuating the.
[01:09:43] Speaker D: So why don't you go first? Go ahead.
[01:09:46] Speaker C: I like this. I think it was really good song, too.
The guitar again. It's always on the left side, right? It's not just me.
[01:09:54] Speaker D: No, it's on the left side. I think there are other guitar things. Maybe sometimes in the right, once in a while, but, yeah, mainly it's kind of like just atmospherically on the left side. Very washed in reverb and delay. And maybe not delay, but a lot of reverb. Anyway, it's kind of mixed really low where the bass is really the upfront here. It pushing. And this thing, it's pushing the song forward. Yeah, but it's really good.
[01:10:15] Speaker C: It's funny because the guitar in the background, those little fills he was doing reminded me the almond Brothers a little bit. Yeah.
[01:10:21] Speaker D: You know, I was thinking it reminded me of an Allman Brothers song.
[01:10:25] Speaker C: Yeah.
[01:10:25] Speaker D: Like maybe like Melissa. Is that what it was reminding?
[01:10:28] Speaker C: Yes. Yeah. Because I'm trying to think. I was like, wait, before I say the almond brothers, what song does it remind me of? And I'm trying to sing it in my head, but I haven't heard that song in such a long time. But I'm like, I think it's Melissa. So I'm glad you said it because.
[01:10:40] Speaker D: Agree with you because we did that song, too, didn't we?
[01:10:42] Speaker C: Yeah, we did. That was a good song. It's a really good song, too.
[01:10:44] Speaker D: It's a really good song. I continue.
[01:10:46] Speaker C: I'm going to say seven on the lyrics.
I'm going to say an eight on the music. Again, I mean, I think it's really good.
And I mean, the melody is really good. It's catchy. And again, can't complain about the bass, the drums. I mean, I like the production. Yeah, I know the guitar is definitely a little bit in the back, but obviously at this point, this is a conscious choice. So this is kind of the sound they're going for. So I'm going to say an eight on the production. I think it was a really good song. This is a really strong side. I'm really glad we got this. Yeah.
[01:11:20] Speaker D: I never would have listened to this on my own, probably.
Well, because I'd have known the one song that we did. You know what I mean? If I haven't listened to it at this point, it's 2008, right? So that long already.
I'm going to give the lyrics a seven. I really like the lyrics.
I think I like them better than Manhattan, personally.
And then eight for the music. Just the bass and the drums and the guitar. Everything was really awesomely done. Good singing, good melody. I'm still going to take one point off for production on the guitar. It doesn't need to be as low as it is. I feel it's too low. I feel, yeah, you could still make it atmospheric, but you don't have to, like, I'm sitting there struggling to listen to what he's playing. So friggin low. So the only beef I have is that, yes, I understand it's a conscious choice. I don't particularly like the conscious choice, but overall, I think this is a great. So far, it's great. I like that it's different.
You're definitely not going to take these guys and say, these guys are somebody else.
They have a sound of their own. Their singer is very unique. Bass player is very unique. They have pieces of you, too. They have pieces of the police, I think, in there. And, like, this song has a little bit. Well, they have a little southern rock thing going on, too, so that's probably why the almond brothers thing happens. And there's a couple of riffs that did remind me, or maybe the melly reminded me of Melissa a little bit, sort of kind.
[01:12:45] Speaker C: That's what I was feeling in the back.
[01:12:47] Speaker D: That's what we would consider side two. That would have been one whole piece of vinyl.
So that's half of the record.
It'll be a short one for us this time. So it's not two and a half hours or 3 hours.
[01:12:59] Speaker C: It's only like, yeah, maybe people are like, jesus Christ, can you guys shut the fuck up and put something shorter out?
[01:13:05] Speaker D: Here you go. There's a short record. There you go. I like it so far. I'm glad we got this, and I'm excited to see the second side can hold up to the first side.
[01:13:14] Speaker C: Yeah, I'm really liking this, I got to say. I mean, considering that. All right, yeah, two of the big songs. But you know what? They could be two songs that you don't like either. We're like, yeah, these two big songs are on there, but I didn't like those, but I like these other ones. But, I mean, everything is strong.
[01:13:29] Speaker D: Yeah, super strong. I like it. All right, why don't you do your thing?
[01:13:34] Speaker C: Okay. Well, we are part of the deep dive podcast network again. Like I always say, great bunch of guys took us in right away. Check them out. I mean, if you want individual podcasts about individual bands, you got rush rash on there, obviously about Rush. You got eri heap, Zeppelin, Van Halen. You name it, it's on there. So if you want something catered specifically to a band, check them out. Definitely knowledgeable and a lot of fun to listen to. And Mark, where can they find this on the interwebs?
[01:14:04] Speaker D: Rockwillet pod on all the social media. Rockwilletpodcast.com drop us a note, know comment on the posts on social media. We're pretty active on social media, so we try to keep our fans up to our fans or our listeners, whatever you want to call you guys, like what we're doing, what's coming up.
We put up some album releases and things. We try to do a bunch of stuff on there. So it's not just 100% about the podcast. So we do a bunch of.
[01:14:33] Speaker C: It's not just about us.
[01:14:35] Speaker D: Yeah, leave reviews please, wherever you listen. Five star reviews would be awesome. And set your podcast player to automatically download. You can get us on all the major things. Spotify Amazon. I know Sav listens to us on Amazon.
[01:14:49] Speaker C: I do. Yeah. I listen to.
[01:14:53] Speaker D: You know, wherever you do listen. Please rate us. That'd be awesome. And I'm excited for side two next week.
[01:15:00] Speaker C: Me too.
[01:15:00] Speaker D: Very excited. Getting back into the swing. This wouldn't be a record that I would have thought we would have picked.
[01:15:06] Speaker C: No, I'm glad we got it. This is giving me good vibes. Like King's exit where solid first side and really looking forward to the second.
I don't think they're going to disappoint us. I have that feeling.
[01:15:18] Speaker D: I agree.
[01:15:20] Speaker C: Yeah.
[01:15:20] Speaker D: All right, guys, well we're done for this side and we shall see you next week.
[01:15:24] Speaker C: Ciao. Ciao. Later.
