Episode 106 - Cactus - Restrictions

[00:00:04] Speaker A: This is our musical reaction, breakdown and commentary analysis of this song. Under fair use, we intend no copyright infringement, and this is not a replacement for listening to the artist's music. The content made available on this podcast is for educational and informational purposes only, notwithstanding a copyright owner's rights under the Copyright act. Section 107 of the Copyright act allows limited use of copyrighted material without requiring permission from the holders for purposes such as education, criticism, comment, news reporting, teaching, scholarship, and research. These so called fair uses are permitted even if the use of the work would otherwise be infringing. Now on to the Rock Roulette podcast. [00:01:14] Speaker B: Hey, everybody. Welcome back to another episode of Rockrulhead podcast. That's right, the Crazy Ass podcast that took over 1300 albums, stuck them in a list, stuck them in a wheel. And typically, every other week we spin the wheel. She picks an album for us, and we go through it side by side, track by track, and we go through music, lyrics, and some other things. We've added production, arrangement, and melody just to, again, a bunch of friends who wanted to do a podcast who love music. No professionals here. Again, like I always say, whatever the hell that means. So tonight we have Mark. Oh, hi, Mark. [00:01:47] Speaker A: What's up, guys? [00:01:48] Speaker B: And I'm Sam. [00:01:49] Speaker A: Ciao, Buenos Aires. [00:01:51] Speaker B: So last week we wrapped up the second part of our two year anniversary episode, which we did electric Lady Land by Jimi Hendrix, kind of keeping the tradition going. And, I mean, obviously a really strong album overall. Me personally, the only thing I didn't like were kind of like, the shorter songs, I think, like, the really shorter songs on the second side where, I don't know, it almost seemed like. Didn't really blend with the record. I liked the more complicated stuff, and even the two longest songs were two of the best songs in the record, so. But, I mean, obviously a strong showing, and as always, Hendrik showed why he's a legend and why he belongs in the top tier of music and will probably be there forever. Mark, I know you're a fan, so I don't have to pull your arm to say the same thing. Twist your arm. [00:02:38] Speaker A: Yeah. No, I mean, it's a great. It's a great record. I always had issues with the songs being a little short, those short things, but I. But I account that to the vinyl format that they really couldn't make them longer. I know. I actually had the 50th anniversary of that album. I don't even think I've heard most of that. I know there's outtakes and things in there, so I'm sure people were screaming, it's on. It's on the 50th anniversary thing. It's there. It's there. You just don't. You don't know. Well, I haven't listened to it in a while, but I did post some cool stuff on the making of some of that stuff on Twitter or X or whatever it is now and Facebook and. And Instagram. But he had some cool stuff that how they did some of the tape stuff and the delay and the phasing, all that weird shit. So, yeah, it was a great. It's a great record. And there's a reason why he's, you know, just been not just a guitar player, but just in arrangement and what he was trying to do. And imagine what he would have done if he would have lived past 27. [00:03:39] Speaker B: Oh, yeah. He would have been bored. He would have like, oh, this shit's too easy now. [00:03:44] Speaker A: I think he would have taken advantage of whatever technology was there. Yeah, I think so. [00:03:49] Speaker B: Yeah. [00:03:49] Speaker A: But it was great. We got one of our longest records out of the way, which was. We were. We were dreading this going, oh, my God, this is four sides. How long it's going to take. And, you know, it took a long time, but you can't go, you know, how are you going to do four sides of a record? So. [00:04:04] Speaker B: Exactly. And plus we had Steve on the first episode with Frank and we had Frank back on that, on that one, so that's always great to have as many people. Yeah, we can. So, yeah, we get to spin the wheel twice tonight. First we're going to do our new bet segment where I mark, it's your turn. But you said you're going to go to the wheel. Correct. I see that you added some more stuff here. [00:04:25] Speaker A: Yeah, I'm going to the wheel. But first we need to do this in a world where new music is not easy to find. Welcome to new bats. And then this is for Frank. So, yeah, I'm excited. What's going to come up on the new bets wheel? I don't know what's going to come up. [00:04:57] Speaker B: Yeah, I see. We definitely added some stuff that I didn't, that I hadn't noticed before. So. [00:05:03] Speaker A: Yeah, there's some. There's some stuff here. So let's. Let's do this. [00:05:07] Speaker B: Yeah, let's do it. [00:05:08] Speaker A: Here we go. [00:05:22] Speaker B: Oh, wow. Death leopard. Just like 73. This is a new single. [00:05:26] Speaker A: Yeah, I think it's been out for a little bit. [00:05:28] Speaker B: I haven't really followed them, honestly, in a while. I mean, I knew that they were coming out with a new one. I remember, like, the. The buzz on that. I just didn't follow up on it. [00:05:38] Speaker A: Yeah. This is June. July 13, 2020. [00:05:42] Speaker B: Cool. This is the. The same lineup, right, that they've been. They've had for a while, obviously. Vivian Campbell, Phil Collin. [00:05:50] Speaker A: Yes, everybody. And this has Tom Morello, I think, in here. So, see, Frank's gonna miss this. All right, so let's do this. I'm curious. I don't think I've heard this, so. [00:06:00] Speaker B: I definitely haven't heard it. [00:06:03] Speaker A: Here we go. Just, like, 73. Deaf leopard. [00:06:30] Speaker C: Fingers point in my way I see mystic vision. [00:06:41] Speaker A: I have a question. Do his drums sound better than they've ever sounded? [00:06:45] Speaker B: They sound pretty good. [00:06:47] Speaker A: They sound real. [00:06:47] Speaker B: They do sound good. Yeah, they do sound more realistic. Again, I haven't listened to them in a while, so he probably upgraded his sound to sound a little. I mean, listen, electronic drums at this point are so ridiculous. So, I mean, if I can afford one, I would get one. I mean, the electric drums are just insane. So. [00:07:10] Speaker A: No, this sounds much more like acoustic drums than the stuff, you know, especially when you started in the eighties, that stuff was very. They tried. It just wasn't as good. [00:07:19] Speaker B: Do you know who produced this? [00:07:21] Speaker A: I don't offhand. We can look it up. I don't know. [00:07:24] Speaker B: Probably them. [00:07:26] Speaker A: Maybe not. All right, let's continue through the lazy. [00:07:30] Speaker C: Haze star dutch religion it's the end of day around to the crazy on electric face when love just happens in the pleasure go see evolution we could go down hey oh, wanna rock with you slap 72 hey oh rock with me hey just like sibling rain hey move like a reptile, your alligator skin I can become reaction so let the game begin my own private tackle and a dream machine spin my bed I'll make your fingers clean a universal love it's so crazy cool so down on me it's down a lot of the goosebumps hey oh, wanna rock with yo just left 72 hey oh walk with me just not silly grave hey days a ride to the crazy on electric face a universal love it's so crazy cool so down on to me it's down a lot of the. [00:09:34] Speaker B: Rock with. [00:09:35] Speaker C: Yo just like 72 hey oh a rock we made just like 73 hey oh, wanna rock with you just like 72 hey oh rock with me just like 73 just not savory pray just not savory pray just not savory pray. [00:10:30] Speaker B: Just not silly pray hey what do you think? [00:10:36] Speaker A: I don't think it's bad. I like it. [00:10:38] Speaker B: I like some parts. That first guitar solo's gotta be morello. [00:10:43] Speaker A: A hundred percent and. And wants him to. [00:10:45] Speaker B: So I like the first. I think the O's aren't bad. I don't like crazy. It's not terrible. It's not like, oh, what the fuck? [00:10:58] Speaker A: No, it's definitely right. [00:11:00] Speaker B: Yeah. I mean, I do. You know, I do like that beat to that whole, I'm always a fan of. [00:11:06] Speaker A: Mm hmm. Yeah, I liked it. I mean, listen, if you can put something this decent, like, this far into your career, everyone should be happy, so. Yeah, I liked it. I think that album's on a wheel, too, so if I didn't put it on, I would. Yeah, there could be more stuff that we don't know. [00:11:24] Speaker B: Yeah, I don't. I don't know any of it. I definitely didn't know that one. [00:11:28] Speaker A: So there you go. Just like, 73 new bets. And again, we need to do this in a world where new music is not easy to find. Welcome to new bats. [00:11:51] Speaker B: So if I pick next week, I already know what I'm picking. [00:11:54] Speaker A: Oh, do you? [00:11:55] Speaker B: Yeah, it was one that I was going to pick before, but I'm just. [00:11:58] Speaker A: Gonna will do it. I don't want have any. I don't have any input in this whatsoever. That's why I just wanted to come up. [00:12:06] Speaker B: Yeah, that's like wheel, Junior. It is like son of the wheel. [00:12:11] Speaker A: Son of the wheel. Yeah, it's real small, this wheel. [00:12:14] Speaker B: Son of Godzilla. Son of Kong. Son of the wheel. [00:12:17] Speaker A: Son of the wheel. Well, this is the big wheel. [00:12:20] Speaker B: Yeah. This is the 1300 album. We all know this is Big Mama. [00:12:26] Speaker A: We haven't spun in two episodes, so. Two long episodes. Let's do this. [00:12:32] Speaker B: Yeah. [00:12:33] Speaker A: Here we go, wheel. Pick us a good one. [00:12:57] Speaker B: Cactus. Restrictions. Isn't this the, uh. This is the woody called ban, right. Carmine apiece. [00:13:04] Speaker A: Mm hmm. I don't think I've ever heard anything by them whatsoever. [00:13:08] Speaker B: I may have at some point. I don't know when this is, because I think they had some kind of reunion at one point. [00:13:18] Speaker A: Yeah. The American Led Zeppelin. At least that's what they say that they were called. [00:13:25] Speaker B: Oh, they said that they were called that? [00:13:27] Speaker A: It's on their website. [00:13:29] Speaker B: Nice. You know what? That's what they used to call us, too. The Italian American Led Zeppelin. Right? [00:13:37] Speaker A: So this. This is Carmine apiece, Tim Bogart, Tim McCarty, and the late rusty day. If it's anything like Led Zeppelin, I'm gonna like it. [00:13:47] Speaker B: Yeah. Where's. Where's Bogart from? He was from. [00:13:52] Speaker A: I'm trying to pull it up now. I don't I don't really know. I know. Maybe this is 1971. [00:14:00] Speaker B: Nice. [00:14:01] Speaker A: Their third album already. Third album? [00:14:03] Speaker B: Yeah. Probably in the same year. [00:14:08] Speaker A: So which. Who did you want to know who's from where? [00:14:11] Speaker B: Bogart or the other ones do? I don't really. [00:14:15] Speaker A: Vanilla fudge? Yes. [00:14:16] Speaker B: Yeah. Okay. I was right. I thought he was in that. That was pretty good, too. They got some good stuff. [00:14:22] Speaker A: Yeah. And then Jim McCarty was he. He was with Mitch Rider in the Detroit wheels, the Buddy Miles Express. And then Rusty Day was with Cactus, the Amboy Dukes. [00:14:39] Speaker B: Oh, with Ted Nugent. [00:14:41] Speaker A: Yeah. So. And then. Yeah, so Cactus was supposed to have just Jeff Beck and Rod Stewart in it, but Beck had an automobile accident and Stuart joined Ronnie Wood in the faces. So that would have been. [00:15:00] Speaker B: Played drums with Stewart later on. He plays drums on. What do you call Burnett Stewart. I forget what's called. But the one with do you think I'm sexy? [00:15:12] Speaker A: Oh, yeah. It's a big song. It's a short album. 35 minutes. We may be able to get through this in one shot, maybe, depending. [00:15:20] Speaker B: Yeah, that'd be cool. [00:15:23] Speaker A: I'm excited. [00:15:23] Speaker B: Knock it out. Yeah, me too. What the hell? I've heard this. [00:15:27] Speaker A: This is. This is like. This is not even rediscovery. This is. This is discovery. [00:15:32] Speaker B: Yeah. I mean, like I said, I. I heard something from them and I. Listen, I could be wrong because he also had that other band, King Cobra. So I could be confusing the two of which one I heard, which was a more recent record. [00:15:45] Speaker A: Yeah. [00:15:46] Speaker B: So. And by recent, I'm saying, like, after kind of, like, what would have been their heyday was kind of like maybe even in the nineties, if not even later than that. So I definitely knew of this band. So, yeah, trump should be good. [00:15:59] Speaker A: If nothing else. Rusty Day does the leading backing vocals. Jim McCarty is lead rhythm and slide guitar, obviously Carmen in pieces drums. And Tim Bogart is bass guitar and backing vocals. And this was recorded, recorded. Oh, look at this. Come on. That's why we have to do it. It's recorded in October 18, 1971, in electric lady studios. Come on. We just do electric lady land. And now this thing is done in electric lady. [00:16:26] Speaker B: Yeah. Well, remember that the Bon Jovi thing was we did Bon Jovi and then his cousin or whatever produced the Ramones. Yeah, it's like the album that we did. And who produced this? [00:16:38] Speaker A: Um hmm. Jeffrey Haslam. I don't know who he is. Let's see if we do a really quick search. He worked. He's an english producer who worked mostly in the USA. He was a tenor sax player. Trying to see who who he he did. Ornette Coleman developed underground. John Coltrane, Jay Giles Band. [00:17:05] Speaker B: Oh, wow. Yeah, some good stuff. I mean, I'm a jazz guy, so the Mc five. I mean, Arnett Coleman was a little out there for me, but I love me some training. [00:17:17] Speaker A: There you go. All right, cool. All right, so the first song on this is restrictions, the title track from the album. So here we've got restrictions. [00:17:45] Speaker C: Use your manners clean your teeth off wipe the grease off of your nose learn the letters, learn a better learn to hide the pop that shows if you're a man or your lady someone still plant your the bad ideas do his wicked son tell the problems clear when making me feel whatever's best there's the laws and rules and clocks and rhymes and you know all the rest the guidelines tied around your throat and it's not lifting up what's the right to do whatever if I let out more that son of God's back whatever seed. [00:19:12] Speaker B: Definitely 1971. [00:19:14] Speaker A: Oh, yeah. Guitar to one side. It's 60, it's sixties, 70. It definitely sounds like seven. Sixties. Seventies, late sixties, early seventies. We take the drums. [00:19:26] Speaker B: Good. [00:19:28] Speaker A: Yeah. [00:19:29] Speaker B: It's funny because he and his brother do have a similar style. And it's in a similar sound. [00:19:34] Speaker A: So he's older? [00:19:36] Speaker B: Yeah, yeah, I believe he's older. Vinny's older. No, wait, is this Vinny or Carmine? Carmine. Yeah, Carmine. That's what I meant to say. Wrong brother. [00:19:47] Speaker A: All right, I'm gonna read some lyrics. They're interesting. Yeah, use your letters. Queen Latifah. Wipe the grease off your nose. Learn their letters burn together. Learn to hide the puppet shows if you're a man or if you're a lady. Someone still thinks you're the one who starts giving all the bad ideas to this wicked son of a. Pictures of what's on your mind till the problem's clear what it is I'm sure you'll find your problems are your fears. Hey, restrictions, they're the problems making me fear whatever's best. There are laws and rules and crocks and rhymes and you know they all the rest. But the guidelines tie it around your throat and stabs you in your chest then they wondered what is right to do whatever he finds best? You better watch out for the son of a God who makes it fast, fast as hell to make you stay in a turtle shell. And it straps it to a rabbit's back and writes it on your sick old pack. While this bud is getting old. It described it describes whatever is being sold as a substitute for all these restrictions. It's a lot of lyrics. Yeah. What do you think about, like, the melody so far? I don't think it's bad. [00:20:58] Speaker B: It's not. It's not bad. It's not bad. [00:21:01] Speaker A: There's really no hook, though, yet. [00:21:05] Speaker B: No, it sounds like it would be a short song. [00:21:09] Speaker A: It's six minutes and 19 seconds. [00:21:12] Speaker B: I was wrong. No, because, I mean, he's burning through a lot of lyrics quickly, so there could be a lot of music on here. [00:21:22] Speaker A: There's a lot of words on here. Not that there's more. [00:21:26] Speaker B: Well, he just burned through how many. [00:21:29] Speaker A: To kind of, like two verses and then some kind of pre verse or post verse. He. I think the. The chorus is coming up now. [00:21:38] Speaker B: Okay. [00:21:39] Speaker A: I like the drumming. Drum is good. [00:21:41] Speaker B: Mm hmm. Bass is really good, too. [00:21:43] Speaker A: Oh, the base is awesome. Yeah, I was gonna say that. [00:21:46] Speaker B: Yeah. [00:21:47] Speaker A: I mean, I don't know about being Led Zeppelin, but, you know. [00:21:50] Speaker B: No, it's only one song. Maybe the rest of it is. [00:21:56] Speaker A: Yeah. Let's see what to do. [00:22:13] Speaker C: I can't buy it. I can't try it again. [00:23:14] Speaker B: The bass is killing it, man. [00:23:16] Speaker A: The bass is killing it. And the guitar is very, um. The guitar is very, very blues rock. And it's good, though. I like it. [00:23:23] Speaker B: Yeah. And it's funny. It does kind of remind. I don't know if you've ever heard vanilla fudge, but, I mean, they're kind of famous for a couple of covers, but they. The vocals remind you of someone else, too. I can't think of the way he sings. Not just the vocalist, but the whole background vocals, you know, the shrimp sha. You know, clearly you could hear some of that blues in there. And that's. I mean, it's. Again, it's good. I wish it was. It was a little bit louder, though. You know what I mean? The production seems a little tame. [00:23:59] Speaker A: Well, yeah, it's 71. [00:24:02] Speaker B: Yeah. But Zeppelin was, uh. I don't think I'd ever say that about that. You know what I mean? Or Black Sabbath, I guess. [00:24:12] Speaker A: Well, look what this guy's done, though. His stuff is really not. [00:24:15] Speaker B: Yeah. [00:24:16] Speaker A: A lot of hard rock, so the. [00:24:18] Speaker B: Chats can be loud, too, though. You know what I mean? That's. But again, like we always say, right? These guys have. Should have. Somebody should have final. Again, it's not bad. I mean, everything is clear, and I think it sounds like a classic rock, so it's not even about, oh, I don't like the production at all. Just. I just wish it was a little bit louder as a record. That's all I think, like, more. [00:24:43] Speaker A: Yeah. Well, I can say that this would be a band I would never know of unless someone turned me onto this. Like, this is not something I would have found. Like, I knew they existed. I knew nothing about them. Like, I know, I know the name Vanilla Fudge. I know he was in that. I knew this existed. But I never. Unless someone turned me onto this back in the day, I never would have found this on my own. So. I like it so far, though. [00:25:07] Speaker B: Yeah, I hope this is definitely an album of, like, discovering, like. Oh, shit, man. [00:25:12] Speaker A: Yeah, see? All right, let's continue. Here we go. [00:25:37] Speaker C: Bringing me down. No, no. [00:26:48] Speaker A: I want to read some lyrics before we get any farther, because I'm gonna get behind. So. But I gotta say the chorus is very sixties. Like, it doesn't feel seventies to me. That feels like really late sixties chorus. [00:27:01] Speaker B: Yeah, I can hear that. [00:27:03] Speaker A: Yeah. All right, well, so. Restrictions, I don't want I don't want what? I don't know. Restrictions, I don't need it, baby, no restrictions, I don't buy it I can try it like that. Restrictions, I don't want nothing to hold me down restrictions, I don't need it, I can't read it either restrictions, I can't stand it. You better not try to stay around here. Restrictions, you don't need no, and I don't need no restrictions you have restrictions? Oh, it's bringing me down, holding me down restrictions, they're the problems making me fear whatever's best there are laws and rules and crocks and rhymes and you know all the rest but the guidelines tie it around your throat and stabs you through your chest so deep lyrics. [00:27:48] Speaker B: Are these book coming out of the 60 rebellion, right? [00:27:51] Speaker A: Yeah. I just don't find that there's not really a. Not really a big hook here. I don't think this is meant to be any kind of single. Of any kind. First of all, it's too long at 619. [00:28:02] Speaker B: Yeah. What? [00:28:02] Speaker A: I mean, for that timeframe, there'd be no way they would put this out without cutting a lot of it out. [00:28:09] Speaker B: It's pretty good, though. I mean, I like it. Yeah, it's pretty good. [00:28:14] Speaker A: All right, let's continue. We got another minute. And 56. That's a long song. Here we go. [00:28:27] Speaker C: But I don't want. No, you gotta take. I don't wanna I don't need. Tell me not to see. Yeah. [00:30:07] Speaker B: You got your fade out? [00:30:09] Speaker A: Oh, yeah. A good fade out, too. Not too quick. [00:30:12] Speaker B: So, no, no, that was a long one. [00:30:15] Speaker A: Yeah. So I'm going to read the rest of the lyrics and then you can tell me what you think. So, restrictions. I don't need no, baby I don't want, no, you've got to take it, take it, take it, take it down like I did I don't want. I don't need restrictions, baby, no, no, no, no, honey, don't. Oh, honey, don't restrictions try to tell me. Try to tell me. You seem so senseless. Yes, I want to be free. Those backing, those restriction backing vocals are so sixties. Like. That's, I think, what's causing the sixties for me. I'm trying to think what it sounds like. To me. It sounds like a bunch of stuff. I can hear a little. I don't know. I don't know why I'm thinking Leonard Skinner a little bit in there. Maybe because the background vocals, I don't know. [00:30:56] Speaker B: Yeah, there's a lot of background vocals going on. [00:30:59] Speaker A: And the bass is awesome. [00:31:01] Speaker B: Yeah, drums are really good. I mean, the musicianship is really good. [00:31:05] Speaker A: Yeah. Why don't you go first, then. [00:31:10] Speaker B: Music, lyrics. I'll say seven on the lyrics. I mean, they're pretty strong. Music was pretty good. I'm gonna say seven on the music. I'm trying to think. Arrangement was pretty good. I thought it was arranged pretty well. I'm gonna say seven on that melody was. Okay, I'll ding a little on the melody. I didn't see six. I don't think it was terrible, but it was pretty good. I'm actually gonna see seven on production because I realized that my headphones weren't giving me the full. I kind of figured out what was wrong and then I kind of got that, you know what? I was looking for that volume. So, yeah, I mean, it's pretty strong. And honestly, it didn't feel like six minutes at all to me. It felt shorter than that. [00:32:00] Speaker A: Me, too. [00:32:01] Speaker B: So, yeah, I would never thought that song was six minutes. So, yeah. [00:32:06] Speaker A: What do you think for something I've never heard? To me, this is like just brand new stuff. Yeah, it's so cool. Like, I've never heard this. And I'm really, really excited when I get to hear something like this where I had not heard it before and it's just new to me and it feels like it's a brand new record because I've never. I've never had, you know, this experience with these guys. So it's really cool. I like it. So I think I'm gonna give it sevens across the board, because I think that's a fair, like, first time me ever hearing this band and then, you know, just giving them something so I can get started and see what the rest of it is. Maybe there's better stuff on here, maybe there's not. I don't know. But, I mean, I like the drums. The guitar is good. Very good. Blues, basic blues rock guitar stuff. Right? And, yeah, vocals, his vocals are good. He has a nice bluesy voice. Perfect for the music. I like it. [00:33:06] Speaker B: Strong voice. [00:33:08] Speaker A: Yeah. So I'm giving a sevens across, and that means, oh, yeah. Nikki Titty, baby. It's quintuple seven. [00:33:15] Speaker B: Oh, nice. Was that Eddie trunk? [00:33:17] Speaker A: Eddie Tronk. [00:33:19] Speaker B: Nice. [00:33:21] Speaker A: Thank you, Eddie. Yeah, I like it. It's cool. [00:33:24] Speaker B: Yeah, good stuff. [00:33:26] Speaker A: You see, I'm always surprised when I see things like. Or hear things like this and, like, I don't know. [00:33:33] Speaker B: Yeah. You know what it is, though? Think about how much music is out there, right? [00:33:36] Speaker A: No, I know. [00:33:38] Speaker B: I think. I mean, again, one of the. One of the. I read a book kind of. I don't know if it was. I don't think it was actually a kind of like a creativity book, you know, how to inspire creativity. And, like, one of the things that stuck out to me out of any of these books that I read, because I always find them interesting, was create an influence tree. And basically what you do is you look at the people who you influence or who you like the most and then see who influenced them. You know what I mean? You kind of build a bridge or a tree out like that. So I think if you start doing stuff like that, you really start to discover, like, I'm sure these guys are on somebody's list somewhere. And I'm not saying, like, this, oh, my God. Like, this sounded so original for them. No, but there's going to be people out there who's like, oh, you know, check out cactus, man. Check out cactus. I mean, again, obviously, Carmine was in and Vinny, I mean, Vinny obviously was with Dio. He was with Black Sabbath, so he was in that circle and we knew of him. You know, Carmine was also with blue murder, which is an amazing record, if that ever comes on the thing. So we knew of these people and. But again, sometimes you don't go all the way back, so, yeah, it's cool. Hopefully the rest doesn't suck. [00:34:50] Speaker A: Now, when I put this on the list, I would never thought it was going to come up. I was like, I'm going to put this on because I don't know anything about them. And I totally forgot that we even put this on here. I must have put this on real early. I don't remember, but it's cool. I'm excited to hear more. So this was a single. This is token chokin, and this is 311. So this is a short. This is a short song. So here we go. [00:35:18] Speaker C: Choking, choking heavy on a joking your best friends don't care run up, throw up hope your brain don't blow up notice that you're losing hair look at you. See, I don't know you. [00:35:41] Speaker A: I'm not sure what the hell just happened. Like, this is way different. Right? [00:35:47] Speaker B: Like, this sounds like they're just having fun. [00:35:51] Speaker A: Obviously, they put this out as a single. [00:35:53] Speaker B: Well, you can picture people kind of singing along to it, right? [00:35:56] Speaker A: Yeah, I mean, I don't. I'm not feeling this too much right at the moment. I gotta give a little bit more, I guess. [00:36:01] Speaker B: Yeah, yeah. See how it goes. [00:36:04] Speaker A: Yeah. All right, let's continue cruising. [00:36:08] Speaker C: Leaving yesterday alone you just find it, find it. Fair enough. Yourself is called home and I look at you through me but lately you've been down honey, you been down oh, baby, you been down running out running. [00:37:08] Speaker B: I like that bit. [00:37:09] Speaker A: Yeah. The sly guitar player. Somebody different. This is Ron Lijak. Um, so. Oh, my God, that's so funny. He's in wicked. He was in wicked. Lester. [00:37:21] Speaker B: I knew I knew that name. [00:37:23] Speaker A: Uh huh. I forgot about that. [00:37:27] Speaker B: There you go. You finally got a little bit of a kiss connection, man. You haven't got an album. [00:37:32] Speaker A: No, I got Ron knee Jack. [00:37:33] Speaker B: After how many spins? [00:37:35] Speaker A: Yeah, too many. [00:37:37] Speaker B: They keep avoiding you, man. I'm telling you, Mandy, if you start fiending, we may have to call notable at some point. If you start, you know, tapping the. Tapping the vein and be like. [00:37:47] Speaker A: It's like. It's like six degrees a kiss. But, yeah, I just don't. I mean, it's. I enjoyed the first song more than I enjoyed this. I mean, it's very. I don't know, it's very, like, hippie sixties to me, but it's. [00:38:02] Speaker B: The production is actually really strong. I think it's actually stronger than the first one. But I can also picture aerospin doing something like this. [00:38:11] Speaker A: It'd be a little dirtier, though, I think. [00:38:13] Speaker B: Oh, yeah, yeah, it's. Listen, I'm not. You know what I mean? I'm not what I. But I kind of like this part. The one. The part that. The instrumental part of it. I did like that part more than. But to me, just sounds like a goof kind of. [00:38:29] Speaker A: It's a weird song to be a single. Weird song to be a single. All right, let me read lyrics. So, token choking, heavy on the joking your best friends don't care run up, throw up hope your brain will blow up notice that you're losing hair I look at, I look and you through me and I see I don't know you bruising, cruising, leaving yesterday alone you just find it, find it fair enough. That you could know never look except to score the structure of your empty home I look at you through me and baby, you've been gone oh, honey, you've been gone or baby, you've been gone and baby, you've been gone and then slide solo, which I do enjoy, but it's so different than the other one. Like, yeah, this is definitely not like when you hear, like, the american Led Zeppelin. I mean, maybe because it's a little varied. Is that what we're saying? I don't know. This is just a. It's a funny little song that. I mean, it's not doing very much for me. Not that it's bad. It's just I was expecting different after the first one. [00:39:25] Speaker B: Yeah. So, yeah, like I said this to me, kind of sounds like a goof. Like, hey, something like this. Like the first was so serious. I mean, I think there's seriousness in this, in what he's saying here, too. [00:39:40] Speaker A: I don't know. Is this something that would get you on the radio in 71? [00:39:43] Speaker B: I don't know. I don't see a big hit and. [00:39:47] Speaker A: See what was out in 71 in the charts. I'm curious. I'm sure it wasn't. All right, let's continue it. Here we go. [00:40:06] Speaker C: You're independent, on your own I've heard to say so many times I know, man. You feel great. Oh, I don't know. Then I know you then I know you then I know you then I know you then I know you then I know you then I know you then I know you. [00:41:34] Speaker A: Now. Is it just me? Do I hear little rolling stones in that? [00:41:38] Speaker B: Oh, my God. Yeah. I was like, you know what? I know he's gonna say exactly what I'm about to say, so I'll just let him say it. [00:41:43] Speaker A: Okay. It wasn't just me, right? [00:41:45] Speaker B: Yeah, he totally became Mick Jagger in that second part of the song. Maybe even the first one. Maybe we just didn't pick up on it. But, I mean, if you told me Mick Jagger was singing that song, we're. [00:41:53] Speaker A: Like, yep, I like the second part better. [00:41:56] Speaker B: Yeah, me too. [00:41:57] Speaker A: I'm gonna read words, but I think these words are 100% wrong and I can't find a lot more. So I'm gonna take this with a grain of salt. [00:42:03] Speaker B: Yeah. [00:42:04] Speaker A: Saying things and hearing words, you never tie it in with some destroyer and the turds you falsely state your friends. [00:42:10] Speaker B: Yeah, that was curse, end of curse. [00:42:12] Speaker A: You're independent on your own in groups of eight or of ten or eight I've heard you say so many times. I know, man, you feel great. I don't know or care if you still remember or in your youth you used to say, so stay so calm and just start like the truth. I think that's wrong. Well, his doggie dog standing on the surface floats the drool that can't be right. This is. Whoever wrote this must be on crack. [00:42:34] Speaker B: Yeah, they were. Token choking, I think. [00:42:36] Speaker A: And fast times turn to light times only trying to be cool and then, baby, I know and I know you, I know you and all that stuff. And these words are definitely not right. But you know what? Whatever. Yeah, I'm gonna go first, I think so. Token choking, huh? Lyrics. I'm gonna say. I'm not gonna, I don't know. I'm gonna say five. I don't know. I don't really like them that much. The melody, melody is better in the second half, so I'm gonna give it a six. Musicianship is good. Like, the bass is really good. Drums are really good. Not, drums are not as good as the first one, I don't think so. I'm gonna give that a six arrangement, six production. I'm gonna give that. I'm gonna give it a seven. Even though I think it's a little bit better than the other one. I'm gonna give it around the same. I still don't have a bar here to kind of figure out like what we're trying to, you know, what we can do here. So I'm gonna have to do that, I think. I mean, I don't hate it. It's just weird. It's just, it was weird. I didn't expect this. I thought we're gonna go more in a heavier direction. I didn't expect this very folksy, sort of rolling stones ish, sixties rave up kind of thing. [00:43:55] Speaker B: Yeah. And that's like a part was totally. I was like, wait a second, did you just switch singers? I think I might just go sixes straight across. I was going to go seven on production because I thought it was producer. So let's do that. I'll go sixes and seven on production, because I think the production was really good. It was up and then everything sounded good. [00:44:23] Speaker A: Yeah. Alrighty. Let's see where they could go. Now. This is an eight minute and 45 2nd song. [00:44:29] Speaker B: Jesus Christ. [00:44:30] Speaker A: So hopefully it goes fast like the six minute song did. So. Yeah, so this is guiltless glider. They have weird names for songs. [00:44:39] Speaker B: I know. [00:44:41] Speaker A: What's a guiltless glider? [00:44:43] Speaker B: I guess a glider who glides without guilt. [00:44:46] Speaker A: Okay. All right, let's see. Here we go. [00:44:50] Speaker B: Yeah. [00:45:28] Speaker A: Now, does that want to be a little bit of black SAP? It's sort of, kind of. Maybe a little bit just not as good. [00:45:33] Speaker B: Yeah, maybe it's cleaner, I think. I'm not sure yet what to. I'm kind of gonna wait for the melody kick in because it's very simple, obviously, right now. Just like. Which, again, I do like. I mean, I like when the bass and the drums kind of lock like that. And. And the production's good again. [00:45:55] Speaker A: Yeah. [00:45:56] Speaker B: So I'm curious to see where they kind of take this. They kind of complicated a little bit more. [00:46:02] Speaker A: I mean, they have eight minutes and 45 seconds. [00:46:04] Speaker B: Yeah, they got time. [00:46:06] Speaker A: All right, here we go. [00:46:45] Speaker C: Freedom fighter holding hands and lost track. Well, I have. So, as you love the. All the good thoughts on so easy, I will love you. [00:48:38] Speaker A: Before he does that. [00:48:39] Speaker B: Yeah, no, I'm definitely. I pick up more of the. Especially not part, like kind of the savage. [00:48:46] Speaker A: Yeah, I think it has a little bit of wannabe Sabbath in there. I like it better in the second part. I like some of the riffs and stuff in there. [00:48:58] Speaker B: I mean, sounds like it's picking up. [00:49:00] Speaker A: Well, better than the boom, boom, boom. Like, they're moving around a little bit. This bass player is good when he's moving around, it seems like. So. [00:49:07] Speaker B: Yeah, they give him room. Actually, he. The vocalist, actually, when he. When he extends his vocals, like, in those lines, he reminds me of David Bowie. I was going to say kind of thing. That's not. [00:49:21] Speaker A: Listen, I like that second part. If it continues this direction, I think I'm going to like it. I didn't like at the beginning as much, but I like this part and I'm not too sure. Like, its arrangement is really weird. Like, I'm not. I'm not catching where the verses are and wherever choruses are, or if there's any chorus at all. Not yet. There's not a lot of words to this. [00:49:37] Speaker B: No, that's what I was going to say. And he stretches out. There's not a lot of lines, but they're kind of being stretched out to where the verse seems longer, you know, like lyrically. You think there's more there, but there isn't. [00:49:51] Speaker A: All right, well, here we go. Guiltless glider, freedom fighter more than had in love's tracks. You want something, you need something. Well, I have something and you can share with me. It's in your memory. Close your eyes and let the pulse flow. Don't you close them so quickly as you learn to be on something. All the good thoughts weren't so easy. Let me say that I will love you till I die oh, till I die or till I die the sky is my father, the ocean my mother the trees my sister the forest my brother. Okay, that's very Jimmy Jimi Hendrixye. The sky's my father, ocean my mother. Yeah, and they're doing it in an electric lady, so there you go. So I don't know if there's anything to do with it. So is this a drug song? I don't know what this is. I don't know what the words mean. I have no idea right now. [00:50:44] Speaker B: Well, apparently the singer and unfortunately the rest of his family were shot and killed in 82. [00:50:51] Speaker A: Really? [00:50:52] Speaker B: Yeah, they think it was drug related. It's. It's unsolved, but they. I guess the authorities thought it could have been drug related. [00:51:00] Speaker A: Was it before this? [00:51:02] Speaker B: No, in 82. [00:51:03] Speaker A: Okay, well, this is so. Oh, this is early, though. [00:51:06] Speaker B: Yeah, I mean, ten years, eleven years after. It's always fun when you kind of like, want to look at somebody. You know what I mean? You kind of look somebody up and go, let me check this guy. And then you fucking read like, some tragedy and like, oh God. Yeah, I didn't want to know this crap. [00:51:22] Speaker A: All right, well, I'm gonna continue. I'm assuming there's gonna be some solo stuff going on here because you can't drag this thing out this long. Is another five minutes and 45 seconds. So I'm just curious to see where this goes. I'm liking the change, so hopefully it continues in this process. So we'll see. [00:51:36] Speaker B: I like it again too, I think. [00:51:38] Speaker A: Yeah, I like this more than I like them. Token choking. So far. [00:51:41] Speaker B: Token choking. [00:51:43] Speaker A: Token choking. All right, here we go. [00:51:47] Speaker C: Trees of my sister, the holy. I never get over the beach it's gotta hold on me I'm a steady hold on me and I will love you dead I will love you. [00:52:32] Speaker B: I. [00:52:32] Speaker C: Will love you I. [00:55:29] Speaker B: Those are big and jazz. [00:55:31] Speaker A: No, no, I know, but my question is, is this really something that would have been more like right on a live thing than there? I don't know. You know what I mean? Like, it's interesting that you would put this on a record, but I don't know. [00:55:47] Speaker B: Well, I mean, it's 71, right? I mean, I think it's a little bit different. And I think. I don't know. I don't know how popular they were. So maybe they did have a little bit of freedom. I'll tell you one thing, though. I mean, I feel bad that nick and Steve are missing this shit because there's some fucking really good base playing. [00:56:12] Speaker A: On this record, dude, seriously. He's really good. [00:56:15] Speaker B: I mean, the drums too, but listen, he is. He's a good drum, but the guitar, I mean, they're obviously very good musicians. [00:56:21] Speaker A: Mm hmm. [00:56:23] Speaker B: Without a doubt. I mean, I think even. Even to the point where I'm like, well, you know, this song is okay, whatever, I said, but jesus, these guys can fucking play. [00:56:33] Speaker A: Well, these guys. I mean, I like the whole middle part. I really like that. I mean. I mean, it's long song, but, I mean, it's purely a musician thing. I kind of like it. I mean, even the drum thing. I like it. He's good. Oh, yeah, yeah, yeah. [00:56:46] Speaker B: It was bobbing my head. [00:56:48] Speaker A: I questioned the presence of it in this thing and where it's put in, you know, and this is the time of, you know, you only can do three minute songs. You know what I mean? So they obviously knew that this wasn't gonna get released ever. [00:57:00] Speaker B: Yeah. [00:57:01] Speaker A: To me, I just. I find that it's a weird thing to do. Like, this, to me, is more of a live thing. Like, you do that in the middle of a live. And maybe. Maybe they did play this live. Maybe this is how they worked it out, and they figured they were gonna put on records just like this. [00:57:12] Speaker B: This is probably like a 15 minutes song live. [00:57:15] Speaker A: Yeah, probably. [00:57:17] Speaker B: Yeah. But trump solos. I mean, they. There were definitely some. Some things that kind of their little things going on. Solos and mean, I think it'd be more common then. Right. And as it progressed, then you wouldn't have heard it. I don't think you're gonna hear any little drums. So when. When was, um, light up the sky? That was late seventies, right? We kind of got his little. [00:57:41] Speaker A: Yeah, yeah. It's different, though. This is really. This is a much longer thing, but I like it. And like I said, I. I don't hate the drum part. I'm just. I'm just curious, but, like, why they thought that that should go there, I don't know. That's my question. All right, so let me read the less the last part of the lyrics here. So I can't get over the feeling of love. I'll never get over the feeling of your love. It's going to hold on me. A firm and steady hold on me. And I will love you till you die. And I will love you till you die. I will love you till you die. And then there's going to be, like, guiltless glider later and you want something, you need something. Coming up, so. But I did enjoy the instrumental part a lot. [00:58:24] Speaker B: Absolutely. Yeah. [00:58:28] Speaker A: Yeah. All right, we got still 202 to go. Here we go. [00:59:09] Speaker C: Sadeena Radhe. [01:00:24] Speaker B: That's it, right? Because that was a long fate. I was like, is this going to come back? [01:00:28] Speaker A: That's it. [01:00:30] Speaker B: I gotta tell you, it didn't feel like an eight minute song to me. [01:00:34] Speaker A: No. [01:00:35] Speaker B: And I liked the doom, doom doom better when they came back to it. I think ultimately I could be wrong here, and not because the singer. The singer has a good voice. I'm almost feeling like if this were instrumental album, I'd be like, hell, yeah. Because, I mean, when they start grooving and jammin, it's just. [01:00:57] Speaker A: It's great. [01:00:57] Speaker B: Like, even in the. In the second one, I just. I wasn't too crazy about the verses per se. But when it came back, is that. That instrumental at the end was like, doom doom doom do do do do. I was like, cool. Like it fit in? I thought it felt it fit. That was a long fade, too. [01:01:13] Speaker A: Oh, really long. Yeah, it was like 30 seconds. Um, but, yeah, I like that. I like the riff at the end of that, too. I did like it the second time around. You write better. [01:01:25] Speaker B: Yeah. [01:01:27] Speaker A: All right, why don't you go ahead? [01:01:32] Speaker B: I mean, there's probably something in the lyrics I was actually trying to see, like, meaning, but I couldn't really catch anything. A lot of people just kind of talk about the album. I'll say five on the lyrics of. I mean, there's some stuff out that's a little bit out there, which is kind of cool. See, music, it's hard to. I'm gonna say seven on the music. Melody was okay. I wasn't too crazy about the melody. I'm gonna say five on the melody arrangement. I'm gonna say seven on the arrangement. I mean, you know, they, they were in and out of kind of like the singing part pretty quickly. And then they went into the solo stuff, which I really like. I'm always cool with a quick little drum solo. Nothing too, too long, even as a drummer. Yeah. Production was really good too. I'd say seven on production. Did I miss one? [01:02:31] Speaker A: No, you get everything I did. [01:02:33] Speaker B: Oh, I felt like I missed one. It's funny because I feel like so, so far, the first 1st song I probably listened to straight through, I feel like token choken. I kind of just want to hear when they go into the instrumental parts and this one too, like I kind of want to skip these singing parts and then just go into where they just start jamming out. [01:02:55] Speaker A: Well, he has a good voice. He has a good voice, though. [01:02:58] Speaker B: Yeah, he does. And it's not his singing. I know the melodies are a little. They're okay. You know what I mean? But yeah, you could tell that it just feels like, you know, like they're kind of playing and they're all looking at each other like, all right, come on, come on. Let's get to the instrumental. Come on, let's go. [01:03:17] Speaker A: Yeah. [01:03:17] Speaker B: You know, they're all looking at each other. [01:03:20] Speaker A: Oh, yeah, they're an instrument. Yeah. Well, I'm gonna say I'm gonna do five on the lyrics and do five on the melody. I mean, I think the melody was that super strong musicianship. I'm doing do a seven because I think everyone played great. I'm gonna ding the arrangement a little bit for the drum solo in the middle of the thing, which to me feels more like a live thing than it does a track thing. I mean, not that it wasn't good. I thought they were. Ever thought everything was good as far as musician wise goes. I just. I questioned that arrangement, production, do seven. I think, you know, production wise, I think it's all sounding good. It's definitely not too compressed. It's definitely not too loud. You can hear dynamics, so it's good. It's not as loud as some other stuff, but I'm okay with that. [01:04:07] Speaker B: Yeah, like I said, I think there's something up in my headphones in the beginning where it feels too calm. But then I kind of made a little adjustment. I'm like, okay, this actually sounds better. It sounds like they're all jamming in the same room, you know what I mean? I think it has that vibe to it where they're really working off each other and you can kind of feel them, like the cohesiveness of what they're doing. [01:04:34] Speaker A: Yeah. Okay, well, the next song is evil. This is a cover. This is a Willie, a Howland wolf cover. Actually a Willie Dixon song that Howlin Wolf recorded. So this is gonna be a blues. So I'm curious to see what they do with this. So this is evil. [01:05:05] Speaker C: You're a long way from home you can't sleep at night. Grab your telephone something ain't right that's evil. [01:05:37] Speaker B: You hear it there now, right? What does that play? [01:05:41] Speaker A: Oh, yeah. [01:05:42] Speaker B: Well, but this is, like, fucking awesome, though, man. I mean, I think. I think this is perfect. This is just like. Holy shit. Yeah. Kick the door, man. Here. Here we are. This is like, you know, the melody is there. His voice, I mean, again, he does have a really good voice and he uses it differently. I mean, he definitely has good range and good the word I'm looking for, but where it's versatile. Yeah, exactly. Yeah. Where it's like, wait, is this him? And that's him. You know what I mean? Like, he can play around with what he does with his voice and everything. Doesn't really sound exactly the same and everything. [01:06:25] Speaker A: No, I like this a lot. [01:06:27] Speaker B: Yeah, this is really good. [01:06:28] Speaker A: This is. This right now is my favorite right now. [01:06:31] Speaker B: Yeah, I know. This is just like. This is the song where people like. Have you ever heard the song by cactus? Yeah, it's a cover, but fucking listen to this shit, guys. Yeah, man. [01:06:39] Speaker A: People throw the horns. Yeah, this was a single, too. [01:06:43] Speaker B: Yeah. [01:06:44] Speaker A: Which makes sense. All right, let's continue. I like this. Well, actually, let me read lyrics and then we'll continue. So the lyrics are. You're a long way from home can't sleep at night grab your telephone something ain't right that's evil evil's going on and I'm just warning you, brother you better watch your happy home so, you know, the reason I guess it sounds a little more like Zeppelin is because Zeppelin did a lot of blue stuff. Sometimes not always credited to the people that should. They should be crediting things to. But that's, I think, why it sounds like that. And the drums, I like his drums on this, like, a whole bunch. [01:07:16] Speaker B: What was that? I mean, just to give a little shout out, obviously, to a co podcast. The one that you and I listened to. [01:07:22] Speaker A: Prisoners of rock'n roll. [01:07:23] Speaker B: Yeah, yeah. [01:07:25] Speaker A: They went, it's interesting. [01:07:28] Speaker B: Yeah, I mean, I like the way they do it. They kind of put it out there. They don't say exactly. You know what I mean? So it's kind of like, make your own opinion and your own judgments. But some of it is. And lyrically, that was the thing, too. Wasn't always music, but just some of the lyrics that were kind of. [01:07:44] Speaker A: A lot of lyrics that were literally a lot of lyrics. [01:07:48] Speaker B: Yeah. [01:07:49] Speaker A: Yeah. Well, at least, you know, they're saying this is a cover here. They're not going on any false pretense that they wrote this, but it's obviously updated from the versions that were done prior, so. [01:08:00] Speaker B: Yeah, I'm pretty sure it's not what the original one sounds like. [01:08:02] Speaker A: No. [01:08:03] Speaker B: Yeah. [01:08:04] Speaker A: All right, let's continue. Here we go. [01:08:06] Speaker C: Long way from home can't sleep at all feels like a news kicking in your star that's evil. Evil I just wanted you brother, you better watch your happy home watch it, watch it. [01:09:39] Speaker B: Yeah, that's strong. [01:09:41] Speaker A: It's strong. [01:09:42] Speaker B: It's the kind of song you want to cover, no? [01:09:46] Speaker A: Yes. But for me, like, lead guitar wise, I was. I wanted something more from that. I was expecting something else. [01:09:53] Speaker B: It was a little team. It was. I agree with you 100%. It was a little team. [01:09:58] Speaker A: It wasn't bad. [01:09:59] Speaker B: No. That would be my only criticism. I mean, considering, like, he's done some pretty interesting stuff so far and whatever. That was a big team. [01:10:07] Speaker A: Yeah. [01:10:07] Speaker B: I'm assuming that was a choice. [01:10:09] Speaker A: I want a little more. I want a little more energy in the solo, and I really get that. But as far as, like, the music goes, like, it's really good. Super strong. Yeah, that's my. Only, to me, that's the only thing that's gonna hold back. Maybe the number for musicianship. Just that little part. Otherwise, I like it a lot. [01:10:27] Speaker B: Maybe I'll throw another solo in at the end to kind of. [01:10:30] Speaker A: Maybe he'll make me feel better. We'll see. 1 minute left to go. Here we go. [01:10:43] Speaker C: Oh, but that's evil going on. I want it home watch your heaven watch out watch your heaven radhe every. [01:11:34] Speaker B: Rock fantasy now and if you don't know it and spread the word yes. [01:11:39] Speaker A: I do remember the original version. I've heard evil before. Yeah, but it's obviously this is amped up. [01:11:49] Speaker B: I've definitely heard some stuff from hell and wolf. I just don't remember. [01:11:54] Speaker A: Um, let me read lyrics for the end of this. So. All right, so where did I. Where did I break it off here? I'm trying to think. So I did. I don't think I did before this. So long way from home can't sleep at all feels like a mule's kicking in your skull and then it's chorus again and then solo and the instrumental part and then long way from home you can't sleep at all feels like a mule's kicking your skull and then that's evil. Evil's going on I'm warning you brother you better watch your happy home watch your happy watch your happy watch your happy home yet evil, evil, evil. So why don't you go first? [01:12:27] Speaker B: I mean, Larry, cool down. For some people, I'm gonna say six on the. On the lyrics. I mean, melody was great. Let's say eight. You know what? I'm just gonna go eight across for the other things. I mean, I could almost give nines. And I may change my mind as I think about it more. I guess I'm being a little conservative, but, I mean. I mean, for sure, there's no way in hell I'm not coming back. To, like, this song is, like, going on my plate playlist. It's just so strong. What do you think? [01:13:01] Speaker A: Yeah, I'm gonna give seven for the lyrics. I like the melody a lot, too. Eight for the melody. I'm gonna give, I guess seven on the music. I was gonna do higher, but like I said, the solo, I was wanting more. The arrangement. Eight production. Eight. A little bit of a ding on the musicianship because I wanted more from the solo, that's all. [01:13:24] Speaker B: Yeah, I can understand that. [01:13:25] Speaker A: But, I mean. But so far, this is my favorite song. [01:13:27] Speaker B: Yeah. Strong. [01:13:29] Speaker A: Super strong. All right, next up is Alaska. Alaska was a single. It's three minutes and 40 seconds. Here we go. Alaska. [01:13:49] Speaker C: Darkest water runs clear. The home of the penguin. The war is an aurora borealis oh, yes. See, my baby's heart is frozen she just don't treat me nice I'm all such out Santa Claus and ask his advice when I get up to Alaska maybe someone, they'll treat me right I will build me a igloo live alone in my dome of blue find me alone minus dumps and some alligators no. [01:14:52] Speaker A: Shoes. [01:14:59] Speaker C: I had to practice my heart to give the polar bears away where I'm in Alaska where the. Where's that Eskimos play? [01:15:10] Speaker B: You know, it's funny, I was gonna say, I'm gonna be kind of hokey, like the other one. So I hear. And I don't know if you hear it. I hear a little of influence on David Lee roth in here. If you. If you gave him this song. I can hear him singing this. [01:15:25] Speaker A: You know what? You're right. [01:15:27] Speaker B: I'm wondering if this guy was an influence. I don't think they sound the same. I mean, I think this guy isn't a real, like, straight up singer singer. You know what I mean? [01:15:36] Speaker A: Yeah. [01:15:40] Speaker B: Yeah. I can picture him doing a cover then. [01:15:44] Speaker A: Yeah, no, I could hear that. I mean, I'm not hating it, considering this is a original song. Right. It's a very good. It's a very good blue song. [01:15:56] Speaker B: You know, I like the flangets on the rushes on the drums. You know, that's. That's interesting. So that's a little element again. Yeah. [01:16:07] Speaker A: 70 was. Was the, uh, was the land of the flanger and phaser. [01:16:11] Speaker B: Yeah. So, I mean, it's funny again, I think you have to say to yourself, like, what the hell? But I. You gotta say, they're probably just fucking having fun, right? It's like, let me. Let me write a song about penguins and polar bears. And that's probably. [01:16:29] Speaker A: I like it. [01:16:30] Speaker B: Yeah, it's kind of got that finger snapping thing. [01:16:35] Speaker A: So the lyrics are going to Alaska where the water runs like glass the home of the Penguin and the walrus and aurora borealis. I like. That's an interesting way to rhyme that. Yeah, that's an aurora borealis. Borealis. He tried to rhyme that together. Interesting. See, my baby's heart is frozen she just don't treat me nice I'm going to search out Santa Claus and ask his advice. When I get up to Alaska, maybe someone there will treat me right. So obviously his woman's not treating him right. So he's going to go to Alaska to get away from her. I will build me an igloo live alone in my dome of blues buy me a low mileage dog sled that's a David Lee Roth line. Buy me a low mileage dog sled and some alligator snowshoes I hear six months a year. You get the night time all day. I had to practice my harp to keep the polar bears away. Wake up in Alaska where the whales and the Eskimos play. See, if David Lee Roth hasn't done this song, he should do this song. [01:17:32] Speaker B: Oh, yeah, this is. This is beyond. Up his alley. [01:17:35] Speaker A: Oh, way up his alley. [01:17:37] Speaker B: Oh, yeah. [01:17:39] Speaker A: So. And harmonica is being played by the singer. So mister Rusty day is doing his harmonica. So let's. Let's give him his harmonica on the guitar. The wawa's going through the whole song. He's it on the rhythm too, which is pretty cool. I'm liking this song. It's a little. Lyrics are just funny and interesting. He's doing interesting rhyming and the musicianship is good. You know. It's not a fake sounding blue song. [01:19:08] Speaker B: No. [01:19:09] Speaker A: Like, you know, I mean, they're doing it and it's very authentic. [01:19:11] Speaker B: Yeah. I mean, obviously they're very, like I said before, they're very good musicians. And it sounds like they're really playing off each other, man. It doesn't. Again, I don't know how it was recorded, but it just. It has that live vibe where they're really just feeding off of each other. [01:19:25] Speaker A: Yep. All right, let's. I'm gonna back it up a little bit, and then we can continue. Here we go. [01:19:33] Speaker C: I guess I like me that I'm. Man, I feel right now. Right now. Alaska, y'all gonna be my home. I fell to Alaska? Where the ground is solid eyes where I've been. Alaska. Hot and so cold. When I get back. [01:20:38] Speaker A: It'S good. [01:20:38] Speaker B: I think I should adopt that as its official anthem. [01:20:42] Speaker A: Yeah, it should be. I actually really like it. Let me read lyrics. So if I got sun, I'd be better, man, I'd be warm right now, right now? But my soul's condemned to shivers? Cause she thinks I've been running around? So I sit here crying? Tears freeze to my face? If it gets any colder? I'll be frozen in place in rock hard Alaska? You're gonna be my home way up to Alaska? Where the ground here is solid ice? Way up here in Alaska? You know the ground here is solid ice. Had to leave my woman? Cause her heart is so cold? When I get back home from the north Pole? I'll defrost her soul way up in Alaska. Maybe someday I'll treat you right. So is he cheating on her? Is he not? It sounds like it at the end, but I don't know. Obviously she's super cold to him because, you know, she thinks he's running around, but is he running around? It sounds like at the end he is. I like this more than I thought I was gonna like it. [01:21:41] Speaker B: You go first. [01:21:43] Speaker A: Eight on lyrics. I like the lyrics a lot. I like some of the, like I said, very David Lee Roth esque, you know, Melody. I like the melody. I'm going to say eight. Music. I'm going to say eight. The arrangement, I'm going to say eight. And the production, I'm going to say eight. I'm eight to cross. I actually like this a whole bunch. I didn't think. I didn't. You know, it's a blues song. I didn't think I was going to basically like this. I'm like, ah, it's just a regular blue song, but it's done very well. The lyrics are interesting. They're not the typical. His voice is. His voice changes from, like, the first song to this song is Wade's. That could be a different guy. [01:22:15] Speaker B: Absolutely. Yeah. He's got versatility and. [01:22:19] Speaker A: Absolutely super versatile. [01:22:21] Speaker B: Yeah. [01:22:22] Speaker A: Why don't you go? Go ahead. [01:22:24] Speaker B: So I didn't like it as much as you did, but I did like it. So I'm going to say seven on everything, but I'm going to say an eight on the production because I think doing the flangey thing and it kept it more interesting than if it was kind of simple. So. But, yeah, I mean, it's. It's a fun song. I mean, the lyrics are pretty funny, so. And, you know, he doesn't even do that thing where he repeats everything either. Right. Everything is different. You know, he's got all these metaphors. So it's cool, it's long. You can kind of like, hey, listen to this. It's kind of funny. [01:22:58] Speaker A: Yeah, I liked it a lot. I'm seriously, I thought it was going to be not as good. I thought it was going to be like a token blue song once it started, but I thought it was good. His voice is just way, like, one time he's Mick Jaggery, next time he's Robert Plant, now he's a blues guy. He's everywhere. So the next song is sweet 16. This was a single, too. This is three minutes and 20 seconds. Let's see how this goes. I'm sure it's going to be different than everything, if that any indication, the rest of the record. So here we go. [01:24:07] Speaker C: Been around the world don't worry about the bad how you can be. So. [01:25:00] Speaker A: Everybody has one of these songs in this timeframe, right? Have we say that all the time? [01:25:07] Speaker B: Yeah. It's good, though. Yeah, I mean, I was getting into it. I mean, the bass is amazing. It actually, if you play it differently. And again, maybe it's because it's the same riff and the kind of air, but if you slow it down and you do do, it sounds like missing you by the Rolling Stones. Oh, yeah, that's what it reminds me of. This is more like. [01:25:35] Speaker A: Yeah, this is more upbeat. So these words are not 100% right. I'm pretty positive. Yeah, I'm going to read them here, but I know they're wrong. Sweet little 16, she's mama's baby girl ain't going to New York City, no, going around the world she don't worry about the bad things she ain't seen nothing yet she just wants to love you till you're ringing wet as you talk, you talk about your problems but she don't understand how can you be so frightened when you're a grown up mandehethere this girl ain't got no sunburn no, she ain't seen nothing yet she just wants to love you hold you tight till you get soaking wet so, you know, is what it is. [01:26:10] Speaker B: I gotta admit, I wasn't listening to the lyrics. I was listening to the music. [01:26:15] Speaker A: Well, yeah, I know you usually the one. First one to pick up on that, but. Yeah. Yeah, it is. It is what it is. It's not as blatant as some of the other things, but it's, you know. I mean, she. Empowered. He empowers her a little bit by saying, how can you be so frightened? You're a grown up guy. [01:26:32] Speaker B: Yeah. [01:26:33] Speaker A: And, I mean, she wants a little bit on him. [01:26:35] Speaker B: She wants to travel. She's independent. I mean. [01:26:37] Speaker A: Yeah. [01:26:38] Speaker B: It's not just straight up, hey, I saw you outside school. You know, I'm gonna wait till your principal and your parents go inside and. [01:26:47] Speaker A: Yeah, no, it's not. [01:26:49] Speaker B: I was just bobbing my head to the music. Honestly, I wasn't even listening to what he was saying. [01:26:54] Speaker A: Saying, I just ruined it for you. [01:26:56] Speaker B: Now, lyrics are definitely going to be low, but, I mean, the music. [01:27:01] Speaker A: Yeah. All right, here we go. Let's continue. [01:27:20] Speaker C: Sadeena. Sadeena. [01:28:28] Speaker A: It's standard stock blues rock guitar playing. It's not. It's not spectacular, but it's great. I mean, it's great for what it is, you know. I mean, it fits the song. I'm not coming off of this going, oh, my God, he's the greatest guitar player ever in the world. But he plays for the song and, you know, it's. It's good, solid, you know, early seventies blues bass, you know, rock guitar playing. [01:28:49] Speaker B: I mean, it's stronger than what he did in the other song. Right. Like, this is something more akin to what I think he should have done in that other song. The howling Wolf song. It's a little bit louder. I think it's a little bit more upfront. [01:29:02] Speaker A: No, I wasn't expecting. What I was expecting was a little bit different than even this. I mean, this is good for the song. It's a very. The songs are very bouncy. You're right. That is kind of the Rolling Stones in it. [01:29:14] Speaker B: That's what. Yeah, I don't know which. I'm sure that's a standard bass. I'd probably start, you know, if anybody listens to us, you're probably. Well, it's not only that. It's this and this and this. [01:29:24] Speaker A: Yeah, well, the bass is rocking as usual on this record. Yeah, but isn't it generally, like, the seventies bass players always are like this? Pretty much. [01:29:34] Speaker B: I mean, like, I'm pretty sure I mentioned it a few times. Without a doubt, the musician who we've. Who has stood out the most in terms of compliments on this podcast, I'm gonna say, is the bass player. I think that's one where we're like, shit, did you hear that bass? I mean, even the damn doors, right? [01:29:53] Speaker A: Yeah. [01:29:53] Speaker B: When we did the second album, we're like, damn, some really good bass on this. Yeah. [01:30:04] Speaker A: All right, so let's. Let's continue. We have 34 seconds. Here we go. [01:30:26] Speaker C: Don't worry about the bad. [01:30:41] Speaker B: I don't think you needed a fade out on that one. [01:30:44] Speaker A: No, that ended perfectly the way it needed to end. All right, why don't you go first? Go ahead. [01:30:49] Speaker B: Uh, lyrichead. Jesus. [01:30:53] Speaker A: I don't. [01:30:53] Speaker B: I usually give these ones. I'll give him a one. I mean, this underage stuff is a little whatever. It's just, like, combating of age. I mean, I give him credit. He gave her one more year than Vince. Neo music is good. I mean, the melody is good. It's tight. The bass playing is ridiculous. I'm gonna say sevens for everything else. I mean, I think it's a really strong song. What do you think? [01:31:14] Speaker A: Yeah, I mean, the lyrics don't hold up as far as time goes on, but I can take. I can separate it from now to then, because this is a typical thing that everyone did from the fifties on to today. Probably. Maybe not today, but up until recent. So I'm gonna say. I want to say four in the lyrics. I don't like them a lot, but I don't hate them. Hate them. Yeah. I think I'm gonna do seven across the board for everything else. I think it's a strong song. It's very strong. I didn't think the album was gonna be as diverse as this, so. No, I thought it was going to be heavier. [01:31:47] Speaker B: Well, yeah, I guess. I mean, the heavy's there, but it's kind of like. It's a good mix. I mean, I know it's only eight songs, but still, they're all pretty. Pretty diverse. [01:31:55] Speaker A: Yeah, they move around, and like I said, the blue stuff wasn't. Wasn't very, like, stock, and it wasn't contrived like, you believe that they're playing what they. That they can play the blues, and it sounds good. [01:32:04] Speaker B: I forgot to mention this, but I felt a little bit of interest in the beginning of this. Not throughout the song. Not yet. Not throughout the whole song. Just the very beginning, that banner, you know what I mean? I felt like I could hear him kind of like singing over that. [01:32:17] Speaker A: Yeah, I agree. I liked it. All right, the next song is bag drag. I don't know what the fuck this is gonna be about. [01:32:24] Speaker B: We're going back to hokey. [01:32:26] Speaker A: I don't know. We'll see. [01:32:27] Speaker B: Let's see. [01:32:28] Speaker A: Here we go. [01:33:04] Speaker C: Yeah. You lie I am so satisfied you don't care how many times they won't die smoke will skies shake out struggling, what can you. Captured by a robot wild. [01:33:45] Speaker A: No, actually, I kind of like it. [01:33:48] Speaker B: That's pretty strong, man. It's like. It reminds me kind of like deep purple. [01:33:52] Speaker A: Yeah, you know, I was thinking that, too. [01:33:54] Speaker B: He's got a good voice for that screaming stuff. He really does have a strong voice. [01:34:00] Speaker A: I can tell you all these lyrics are totally wrong. They're all totally wrong. I don't know what the fuck. Whoever decided they were going to write these lyrics down didn't listen to the song because it's fucking wrong. I'm just going to read them out the way they are because I guess the gist is still there, but. [01:34:15] Speaker B: Yeah. [01:34:17] Speaker A: Owed a drag living from a plastic bag owed a drag breathing in the burning rag I don't think that's what he says. Riding, flying in the blue shooting, killing sirens too stretching, healing all come true looks like death except you lied I have to prove I don't think that's right either oh, you're so satisfied I don't care how many died as the world spins and people die there's debris and smoke filled skies chained down, struggling what's the use? Captured on a robot world so nixed and unexcused I don't think it's so nixed led by hatred and the news so many rules and regulations or you lose so these are kind of heavy lyrics. [01:34:55] Speaker B: Yeah, definitely some protesting going on here. [01:34:58] Speaker A: Mm hmm. Yeah, I like it. So, I mean, I like the melody. I like guitar following lyrics here. It's pretty good. I like it. [01:35:06] Speaker B: Yeah, it's strong, man. It's really strong. [01:35:08] Speaker A: All right, here we go. Let's continue. [01:35:13] Speaker C: So many rules congratulations. Are you, oh, what a dream really? Give the burning bright skies and break. [01:37:11] Speaker A: Aerosmith could have copied something here, especially that middle section. [01:37:15] Speaker B: Yeah, maybe. I was thinking a little kiss, honestly. [01:37:21] Speaker A: I mean, I guess I hear more aerosmith in that middle part. Just me. Yeah, I like the solo. It was good. [01:37:29] Speaker B: Yeah. I mean, it's a strong song. [01:37:31] Speaker A: Yeah, it's. It is a little bit deep purple too here, huh? [01:37:36] Speaker B: Yeah, I definitely hear that. But again of its time, right? You know what I mean? It's kind of heavy. Early seventies. Good. [01:37:45] Speaker A: Now, would this be before deep purple started to sound like this or after? [01:37:50] Speaker B: I don't remember. Because I know we did that. That album. I don't know if this was before Mark two, because Mark two is what kind of. There was stuff there, too, though. Remember? We're like. Well, this kind of points in that direction. [01:38:04] Speaker A: Yeah. [01:38:04] Speaker B: But they had the other singer. This was before they got killing. That was before they got killing. [01:38:10] Speaker A: Yeah. I'm. I'm liking this a lot. Drummond's really good bass, again, is freaking Rocky. [01:38:17] Speaker B: Well, he actually did an album with, uh. With Beck. There's a group. Beck. Um, was it BBC? To Beck, Bogart and apiece, so. Yeah. BBI. [01:38:30] Speaker A: Yeah. No, it's good. [01:38:32] Speaker B: Yeah. [01:38:33] Speaker A: All right, let's continue this. I like this a lot. [01:39:09] Speaker C: 1971. [01:40:34] Speaker B: And they're sort of playing time by pink fluid. [01:40:47] Speaker A: Yeah. Let me read the rest of the lyrics, then we can talk about this. Let's see. Where did I. Where did I leave off the question. Okay. I don't think I did the. I don't think I did words before the words before the solo. I don't think. I'm trying to think where I read. Where did I leave off? I remember. I think. I think I did the role. Yeah, I did. I passed the robot. Where. Okay. Oh, what a drag breathing in a burning rag these words are totally wrong. The skies filled with kerosene the sunset rays are burning me I don't think that's right either. Tossed and turning, cannot sleep feel the need of breeze on me that can't be right begging, pleading at my door a mad dog drooling on my floor stone faced general filled with rage as they throw a fast grenade I think he said something else, my child. Screams of generals near that's totally wrong, too. 1971, and the war is still here. Owed a drag breathing in the burning rag owed a drag living in this plastic bag oh, you're so satisfied for the reason you're so satisfied you're the reason soldiers die you finally realize it would be defeat that is the prize. Oh, what a drag oh, the drag. I'm kind of liking this. [01:41:57] Speaker B: Yeah, it's really good. [01:41:59] Speaker A: Um, I think I'm gonna go eights across the board. I like it. I like everything about it. Like the lyrics. I like the melody. The musicianships are really good. Bass is super strong. Drums are super strong. His vocals are just. He's just so versatile. Like, you're not sure what guy you're gonna get between song to song. [01:42:16] Speaker B: Yeah, he's got heavy guy. He's got blues guy. [01:42:20] Speaker A: He's got mellow, light guy. He's got everything. What do you think? [01:42:26] Speaker B: Yeah, I think I just make it easy. Do the same. It's across the board. That's a really, really strong song. This one thing is what I like because it's like you get stuff like this. And, I mean, obviously you hope that you like every single album that comes up if you haven't heard it before. And, you know. You know what I mean? But this is good. This is when you can tell people, hey, man, listen to this shit. Shit's pretty good. [01:42:52] Speaker A: So. Okay, so this is the last song on the album. I mean, night in cleveland. Now, I don't know what this is. I see no lyrics here, so I don't know what the hell this is. Oh, this is just instrumental, maybe. [01:43:03] Speaker B: How long is it? [01:43:05] Speaker A: 211. It's short. So let's see. Here we go. Mean night in cleveland. [01:43:37] Speaker B: Cleveland. [01:43:52] Speaker C: Djdehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehehe sadeena. [01:45:20] Speaker A: Yeah, actually it was really good. I mean, I don't know how I'm gonna rate this. There's really no words, no melody. Yeah. Musicianship. I mean, I think it's played really well. Again, it doesn't sound. It doesn't sound, you know, for insincere. It doesn't sound like it's a fake blues thing. Someone's gonna do it sounds like he plays blues guitar and this is what he does. So in that case, I'm gonna give him an eight. I mean, the arrangement, standard blues, I'm gonna give that a seven. And, you know, there's only one guitar in a harmonica, but it sounds good. I'm gonna give it a seven. I mean, I can't bag on it. Sounds good. [01:45:58] Speaker B: Yeah, I'm actually. I'm gonna see an eight on the production because I think that sounded like it was recorded yesterday. I mean, it was so crystal clear. And, I mean, I'll be honest with you, clearer than some of the stuff Zeppelin was doing on acoustic. Yeah, it's like. I'll say. I mean, it was fine. I'm gonna say six. I know it's. I know it's digging a little bit, but it was okay. It was played well, but. And what else did you give it? [01:46:28] Speaker A: Arrangement? I gave it a seven. [01:46:30] Speaker B: Yeah. I'll say seven for arrangement. [01:46:31] Speaker A: Yeah. It's standard blue stuff. [01:46:34] Speaker B: Yeah, but, yeah, I mean, like you said, it didn't sound like I wasn't really. Oh, boy, here we go. You know what I mean? [01:46:40] Speaker A: Yeah. No, because you know what it is? It's not. It's not like when you heard eighties bands doing, like, blue stuff and it didn't sound right. Like, this is. This is what they do. There's blues and what they do. So when they do it and it sounds authentic, it doesn't sound fake to me. [01:46:57] Speaker B: So that's why even as typical as that was, I think if they built a song even around something as typical as that, they probably could have done a good job, especially with him singing. So I was almost like, oh, I mean, I know this is kind of straight up, you've heard this so many times, but they could probably build something interesting around this because they did it before. [01:47:19] Speaker A: So 100%, I didn't know what we were gonna get when we got cactus again. It's one of those things that you know who they are. You heard of them before, but I've never heard anything from them. So I was pleasantly surprised trying to see what this album rated so far. So it. It rated seven for us, which is good. Which is a good album. [01:47:37] Speaker B: Yeah. [01:47:38] Speaker A: Yeah. I think it's. I think it's great. [01:47:41] Speaker B: I mean, honestly, other than maybe some of the. Some of the kooky melodies, I think that maybe we've done some of that a little bit. But I don't. I mean, it's quick, right? I mean, even the longer songs don't. Don't feel as long, and it's good. It's definitely the. Yeah. Three or four songs, if not more, that are going on my list. [01:48:02] Speaker A: Man, you never would think so, right? [01:48:05] Speaker B: Yeah. Hopefully this will attract some attention to them, I hope. [01:48:09] Speaker A: Yeah. Well, we'll see how many people like cactus by how popular this is. But, I mean, I'm sure that not many people are going over cactus restrictions as an album. [01:48:20] Speaker B: Yeah. [01:48:20] Speaker A: Again, that's how, you know, I saw. [01:48:21] Speaker B: The COVID online, too. If you look at the COVID it's pretty cool. [01:48:24] Speaker A: Yeah, the COVID is very Pink Floyd. [01:48:26] Speaker B: Yes. It's like Pink Floyd designed by what's his name from Monty Python. We did the cartoons. [01:48:33] Speaker A: Yeah, because it has a cactus on the floor. Yeah, that's pretty funny. All right, well, this is awesome. I'm glad we got to do this, which is nice. We get to spend next week again, which is awesome. Yeah. Why don't you tell them where we're from and what we do? Do your thing. [01:48:48] Speaker B: We are part of the Deep Dive podcast network again, like I always say, great bunch of guys took us in right away. If you want more individualized podcasts about bands and the other place to check out, you'll find them rush, like I said, buddies of rush, rash and Judas Priest cast. You got Tom Petty. I mean, you got Uriah Heap, Zeppelin, Queendeze. When you name it, it's on there. So, you know, if you don't want a bunch of knuckleheads that's been shit every other week, or every week talking about different things, you know, check them out. And Mark, where can they find this? On the interwebs. [01:49:21] Speaker A: Oh, and don't forget now. And the podcast for rock is into the solo albums from Van Halen. So I think they're doing like four albums and they have a smaller wheel, I think, so they're going to break it up, I think so. That's going to be cool to hear things that you would normally hear. So that's cool. Rock roulette pod on all the socials. Rock roulettepodcast.com the new bets form. You can go fill that out if you want to throw something new. Bets wheel. Please give us a five star rating wherever you listen to your podcast and put us for auto download so you would get this album and all the other ones that we do as soon as it happens. And I guess next week is going to be another spin, which is cool. Maybe we're getting closer to kiss now that I got a guy from Wicked Lester and my. [01:50:07] Speaker B: Yeah, maybe that's a. Maybe that's a sign, man. [01:50:10] Speaker A: Wouldn't it be funny if we got kissed next week? [01:50:14] Speaker B: I mean, come on, you need some kiss, man, on this podcast. I mean, I even got you too, eventually. [01:50:22] Speaker A: I know. So, seriously. [01:50:24] Speaker B: Yeah. [01:50:25] Speaker A: All right, ladies and gentlemen, we appreciate everyone listening to us and the year two, it started out with a cool record that we never thought we would have liked or known about. And it's the discovery for the first. [01:50:39] Speaker B: Absolutely. [01:50:40] Speaker A: The first record past Jimi Hendrix. [01:50:43] Speaker B: Yeah. And this makes me curious to hear other stuff from them, which is always great. [01:50:47] Speaker A: There's more stuff on there, so we'll see what comes up. [01:50:50] Speaker B: Yeah. Awesome. [01:50:51] Speaker A: All right. Have a good weekend or whenever you're listening to us. And we'll see you next week. [01:50:56] Speaker B: Ciao. Ciao. [01:50:57] Speaker C: Later.